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* |
1280x960 resolution |
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Compact, rugged case |
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2.5x Optical Zoom Lens |
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Great low-light ability (up
to ISO400) |
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Panorama support, including
2x2 matrix! |
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Canon PowerShot A50 Review Index:
First Look
Shortly before Dave left for vacation, we received
an evaluation unit of Canon's latest compact-format digicam,
their PowerShot A50. We had only a very limited amount of time
to get a review put together on it, but wanted to present our
readers with at least a brief glimpse of this new camera. Thus,
we're providing this "First Look", which will be just
that. (a "look") We did manage to shoot a complete
set of test images though, minus only the low-light tests, which
appear in the Pictures Page for the A50, as well as in the Comparometer(tm).
The Canon PowerShot A50 is a logical extension of their earlier
A5 and A5 Zoom models, updating the sensor resolution to a full
1.3 megapixels, while maintaining the same compact, "go
anywhere" all-aluminum body. The enhancements go far beyond
just an increase in sensor resolution though, as the images are
in every respect superior to the earlier A5 models, and indeed
are very much at the top of the 1.3 megapixel class: Colors are
bright, saturated, and accurate, shadow detail is excellent,
and the exposure range is unusually broad. Couple this with a
compact body reflecting the design of Canon's tremendously popular
ELPH film cameras, and an aggressive price point, and you have
what we believe is a sure winner. The shots below show the front
and back of the camera in greater detail.
One of the features we look for and report on in digital cameras
for consumers is a compact form factor: A camera that takes great
pictures, but spends its days in a drawer at home does little
good! The PowerShot A50 should never suffer that fate though:
At only 4.1 x 2.7 x 1.5 inches (103 x 68 x 37.3 mm), it's one
of the smallest cameras we've tested. Weighing only 9.2 ounces
(260 g) without batteries, or 11.5 ounces (290g) with, it's also
light enough to carry in a pocket without feeling lopsided. Despite
its small size, we found the A50 comfortable to grip, and easy
to shoot with one-handed. (Although operating the zoom controls
while holding it with one hand felt a bit precarious.)
One aspect of the A50's design
we appreciated was its built-in lens cover, which slides over
the lens when the camera is shut off. This not only protects
the lens from harm, but also neatly avoids the perpetual problem
of the lost lens cap. Like the rest of the camera's body, it's
made of tough aluminum. The automatic lens cover and aluminum
body contribute greatly to the "take it anywhere" character
of the PowerShot A50! (The shot at right shows the camera front
with the lens cover in place.
Another nice touch on the A50 is its rugged metal tripod socket,
shown below in a shot of the bottom of the camera. We've never
had any problems with plastic tripod threads, although did catch
ourselves once on the verge of cross-threading a set of tripod
threads as we hastily switched cameras during a shooting session.
Just a tiny bit more haste, and the threads would have gotten
well & truly chewed! We're more consciously deliberate now,
but can easily imagine a user damaging plastic threads in a moment
of excitement. The metal tripod threads on the PowerShot A50
contribute to its overall feeling of ruggedness.
One tricky thing to note that tripped us up momentarily in
testing the earlier PowerShot A5, and did again (shame on us)
with the A50 is that the lock for the battery cover (visible
in the shot of the camera bottom above) is also a camera-power
interlock! If you don't "lock" the battery compartment
cover ,the camera won't turn on! (This is clearly mentioned in
the manual, but we suspect many users will have our same tendency
to unpack & fiddle first, read the manual later.)
Besides the rugged metal tripod threads, another feature that
makes the PowerShot A50 well-suited to tripod work is its end-oriented
CompactFlash card-slot cover: It's easy to get at the memory
card without removing the camera from the tripod.
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