|
Kodak DC-215 Digital Camera (Review first posted 26 November, 1999) |
 |
|
1152x864 megapixel resolution |
|
|
Fixed-focus 2x optical zoom lens | |
|
|
29-58mm equivalent focal lengths | |
|
|
Simple user interface | |
|
|
"Kodak color" | |
EZ Print Link
Readers have requested
free-formatted versions of our reviews (without the graphical accouterments of
our page design), to make printing easier. We are accommodating this request
with special copies of each review, formatted to allow the text flow to be
dictated by the browser window. Click here for a
print-optimized page.
Manufacturer Overview
Kodak has to be near the
top of the list in anyone's mind when you mention "photography." While the bulk
of their enormous business is built upon conventional film-based photography,
they clearly recognize that the future lies with digital. Accordingly, they have
developed arguably the broadest line of digital cameras in the business, ranging
from basic point & shoot models to professional ones costing in excess of
$20,000.
The DC215 represents the current entry point for their line of
cameras, aimed at the casual point & shoot user looking for good color and
ease of use in an inexpensive digital camera. It's an update of the enormously
popular DC210 and DC210 Plus, using the same lens and CCD, but with improved
processing hardware and algorithms.
Highlights
- 1.00 megapixel CCD sensor delivering 1152 x 864 or 640 x 480 pixel
images
- 2x fixed-focus optical glass zoom lens, 29-58 mm equivalent focal
length
- Focusing range: 1.6 ft (0.5 m) to infinity (wide), 3.28 ft (1.0 m) to
infinity (telephoto), 8 in. (0.2 m) (close-up)
- Maximum Aperture F/4.0 (wide), F/4.8 (telephoto)
- IS0 140 equivalent light sensitivity
- Exposure compensation �2.0/+2.0 EV in 0.5 increments
- "Real image" optical viewfinder, plus LCD preview
- 1.8 inch color LCD display
- Flash modes: automatic, fill, red-eye reduction, fill and red-eye,
off
- Flash range from 1.6' to 9.84' (wide angle), 3.2' to 8.8' ( telephoto )
(0.5 to 3.0 m, 1.0 to 2.7 m respectively)
- Image capture in JPEG (standard) FlashPix (proprietary software?)
- Power : 4 AA size alkaline, NiCd, NiMH batteries, or Kodak-specified AC
adapter
- .25 in (6mm) threaded tripod socket
- NTSC or PAL video out
- 10 second self-timer
- Digital print order format compatible
- Serial RS232C file transfer: 115 Kb/s data transfer
- Attached wrist strap and lens cap
- Compatible with Windows 98/95/NT 4.0, PowerMac system 7.6.1 or
higher
- Uses CompactFlash memory
Executive Overview
The
DC215 is the latest entry-level camera in Kodak's extensive digicam lineup. We
reviewed the "Millennium Edition" of the camera, which sports an all-metal,
gold-toned body, and comes equipped with a USB-based card reader to greatly
speed image downloads to your computer. (The "Standard Edition" has a
silver-toned body, and doesn't include the card reader.) The compact metal case
and mass provided by the four AA batteries give the camera a solid heft,
distinct from many of its plastic-bodied contemporaries.
As the follow-on to
their very successful DC210 digital camera, the Kodak DC215 is designed first
and foremost to be easy to use for the non-technologist point & shoot camera
user. The most common control settings (flash mode, macro setting, and
self-timer) are made directly through external buttons. Other functions are
selected via a very graphic and user-friendly menu system on the camera's
back-panel LCD screen. The menu system is navigated intuitively by using up and
down, right and left arrow buttons adjacent to the LCD, and the aptly named
"Do-It" button to confirm selections. A slider switch selects major camera
operating modes (capture, review, connect (to the computer), and preferences
setup). A toggle control for the zoom lens and the shutter button complete the
user interface.
Shots can be framed using either the "real view" optical
viewfinder, or the more accurate LCD preview display: As in most digital
cameras, relying on the optical viewfinder saves considerable battery
power.
The fixed-focus zoom lens covers a somewhat wider field
of view than those of most digicams, with an equivalent focal length range of
29-58 mm. When not in use, the lens retracts into the body, and a snap-on lens
cover protects it from scratches and dust. (The lens cover is thoughtful
attached to the camera body by a short tether, preventing its loss: Other
digicam makers take note!) As noted, the lens is a fixed-focus design, which
means the camera is a bit quicker to snap a shot, as it doesn't need to wait for
an autofocus mechanism to complete its work. The camera likewise has no trouble
when shooting flash pictures in near-dark conditions, where autofocus designs
may not focus properly. The downside of the fixed-focus design is some softness
in subjects shot at infinity, and a restricted macro focusing range.
Images are
stored on a CompactFlash memory card. An 8 megabyte card is included with the
Millennium Edition version, a 4 megabyte one with the Standard Edition. Under
control of the menu system, the camera can capture images in either of two
resolutions (1152 x 864 or 640 x 480 pixels), and with any of three "quality"
settings. (The three quality settings correspond to varying amounts of data
compression applied to the images: "Good" quality images take less space in
memory than do ones shot in "Better" or "Best" modes, but they are less sharp
and show more artifacts from the compression process.)
A Video Out cable
allows you to connect to a television set for image playback, and the camera
supports both NTSC and PAL video standards. Several CDs come with the camera,
including both Mac and Windows versions of Adobe PhotoDeluxe and PageMill, as
well as ArcSoft's handy PhotoPrinter program for efficiently printing multiple
images on full sheets of paper. Computer interface is easy regardless of whether
you use the Millennium Edition's card reader, or just connect via the serial
cable: Kodak's desktop Mounter software makes the camera appear as just another
disk drive on your desktop, on Windows systems. While rather slow (as are all
serial-interfaced cameras), the "mounter" interface is very intuitive and
convenient. On Mac, the standalone transfer application is very easy to use as
well.
Camera Design
The DC-215 is a visually
appealing box of 4.5 x 2.6 x 1.7 in. (115 x 43 x 67.5 mm), much like traditional
point and shoot cameras. The warm gold tone metal body (silver tone for the
regular edition) and matte black rubber hand grip and lens cap give a pleasing
appearance. Weighing in at 10.56 oz. (303 g), excluding the requisite 4 AA
batteries, the DC215 has a solid heft, and will likely prompt many users to use
both hands when shooting. The rubber hand grip is of benefit (to right-handed
users at least) in maintaining a good grip, as is the thumb impression on the
right rear. With its heft encouraging a two-handed grip though, the lens
position to the far left of the camera makes it easy to place a finger in front
of the lens without seeing it in the viewfinder. While QuickView mode will allow
for immediate deletion and retaking of such shots, initial caution is still
advisable. While the camera is too heavy to carry solely by the wrist strap,
using it when taking photos will protect the camera from being dropped.
Taking a "walk around the camera," a front view shows
the on-board flash, viewfinder window (just above the lens), the lens itself,
and several small openings for exposure and flash sensors and the self-timer
alert LED.
The rear of the camera is where most of the controls are
located. From left to right across the top are the viewfinder eyepiece, the
power switch, and the toggle control for the zoom lens. A "mode" switch is at
the bottom, selecting major camera operating modes. The color LCD screen is in
the center, flanked by up/down, right/left arrow buttons for navigating the LCD
menu screens, and controlling exposure compensation and exposure lock in capture
mode. The blue button at the lower left hand corner of the LCD screen is the
aptly-named "Do-It" button, which confirms selected menu options, and also turns
the LCD panel on or off for viewfinder operation when in capture mode.
The camera's top contains a small black & white LCD
data readout showing camera status and settings, as well as three buttons
controlling flash, macro, and self-timer modes, respectively. The top-panel
controls are rounded out by the shutter button, at upper right in the picture
above.
The right hand side of the camera provides access to the
CompactFlash memory card, and the video output, computer I/O, and power input
jacks. The CompactFlash slot is covered by a hard plastic hatch, while flexible
rubber flaps cover the smaller I/O and power jacks.
The left hand side of the camera contains only the
battery compartment hatch and its latch. Although it causes problems with the
tripod socket location (see below), we liked the slide-out battery tray, which
we felt made battery changes somewhat easier than do typical built-in battery
compartments.
The bottom of the DC215 shows only the tripod socket,
located in the extreme upper right-hand corner, as shown in the photo above.
This socket location is mandated by the location of the battery compartment,
which occupies most of the bottom of the camera. While we applaud the all-metal
construction of the socket, we found its location in the extreme corner of the
case very awkward.
Viewfinder
Like most
current digicams, the DC215 offers both optical and LCD viewfinders. The optical
viewfinder is the "real view" type, meaning that you frame your shots based on
the boundaries of the area you see in the viewfinder, rather than having to rely
upon smaller framing marks within a larger view. The optical viewfinder zooms in
and out to follow the action of the zoom lens, and its representation of the
final image is slightly more accurate than average: We measured the optical
viewfinder's accuracy at 90% of the final image area for both wide angle and
telephoto shots. (Most optical viewfinders show between 85 and 90% of the final
image area.) In contrast, the LCD viewfinder provides the near-100% accuracy
we've come to expect (and value) in Kodak digicams. The LCD viewfinder defaults
to "off" to conserve battery power, but may be turned on at any time by pressing
the "Do-It" button. A second press of the button turns it off again.
Kodak
doesn't provide any pixel-count for the LCD display on the DC215, but it isn't
one of the highest-resolution units we've seen: We'd estimate its resolution as
something on the order of 70K pixels. This is certainly enough for framing
shots, but the LCD menu items could be a bit sharper. The LCD's refresh rate
seems reasonably high, helping with the framing of moving subjects. As is common
among lower-end digicams, the optical viewfinder lacks a dioptric adjustment for
eyeglass wearers. The DC215's LCD display is about typical in its viewability in
bright light. (Most LCDs are difficult to see in very bright light or direct
sunlight.)
Optics
The lens is an
optical glass, fixed focus 2x zoom design, with a focal length range equivalent
to 29 mm to 58 mm on a 35mm camera. This focal length range is shifted toward
the wide-angle end, a characteristic that made the 215's predecessor (the DC210)
very popular with realtors. (The wider-angle range of the lens made it
well-suited to squeezing in more of the room in interior shots.) The lens'
focusing range is 1.6 feet (0.5m) to infinity at the wide angle end of its
range, and 3.3 feet (1.0m) to infinity at the telephoto end. Macro mode has a
fixed focusing distance of 8 inches. In our tests, the DC215's lens is
reasonably sharp at close and medium distances, but somewhat soft when
photographing distant objects, as evidenced in our outdoor "real estate" test
shot of the house. The fixed-focus design does have the advantage though that
it's always in focus, experiencing none of the autofocus problems common
to more-sophisticated cameras when shooting with flash in dark surroundings.
(Many autofocus cameras will simply refuse to fire if the light level is too low
for their autofocus systems to work.)
Macro
Macro or close-up mode is
accessed by the close-up button, also located on the top of the camera. In macro
mode, a subject as small as 2.23 x 3 inches (57 x 76 mm) can fill the frame.
This isn't as close as many higher-end digicams can manage, but is adequate for
typical shots of small household objects. The shooting distance in Macro mode is
fixed at 8 inches. The LCD monitor automatically turns on when entering Macro
mode and the Macro indicator appears on the display. To cancel the mode, hit the
macro button again, or turn off the camera.
Exposure
Almost fully
automatic, the Kodak DC215 Zoom handles shutter speed (range of 1/2 to 1/362
second), aperture (wide f/4.0 to f/6.0; telephoto f/4.9 to f/13.5), and focus on
its own. A plus or minus 2 EV (f-stop, for us old-timers) exposure adjustment
setting is available, as is exposure locking, recommended for panoramic pictures
where the lighting will vary as you pan to shoot the separate segments of the
panorama. The range of exposure settings and Kodak's stated light sensitivity
rating of ISO 140 should result in a usable light range from about 6 to 12,000
foot-candles (66 to 130,000 lux, or about 9.5 to 20.5 EV in the measuring system
we've used previously in these reviews). The lower end of this range would
correspond to an average-to-bright residential interior, while the upper end is
about equivalent to full sun at mid-day. (Extremely bright beach or snow scenes
could be overexposed somewhat.)
The +/- 2EV exposure adjustment is useful in situations
where your subject is significantly brighter or darker than the background, or
where the entire image is much brighter or darker than normal (e.g., beach and
snow scenes). Cameras' exposure systems generally assume that the scene you're
photographing averages out to a neutral gray. Accordingly, they adjust the
exposure to produce this light level in the final image. Problems arise when the
whole scene is very bright (a beach or snow scene, as mentioned above), in which
case the exposure system would under-expose, rendering the bright subject as a
rather gray tone, rather than the light color it actually is. Likewise, if your
subject is silhouetted against the sky or other bright background, the exposure
system will underexpose it. Most digicams, the DC215 among them let you adjust
the default exposure the metering system would select. On the DC215, this
adjustment is activated by pressing the right arrow button under the LCD window
while in capture mode. Once you're in this mode, you can adjust the exposure up
or down in 0.5EV increments by pressing the up or down arrow buttons. Press the
purple "Do It" button to confirm your choice. (Note that the LCD viewfinder must
be enabled to use this function.)
To use the exposure-lock feature, you must set
it before taking the first of a series of pictures. It locks-in the exposure
setting determined for the first picture shot after it's set, and uses that same
setting for all subsequent shots until the function is canceled or the camera is
turned off. The exposure lock function is accessed by pressing the right-arrow
key twice while in capture mode. (One press takes you to the exposure
compensation menu, as described above, the second takes you to the exposure lock
screen.)
When either the exposure compensation or exposure lock feature is
used, icons will appear in the LCD window when previewing pictures.
Flash
The DC215's built-in flash
offers five settings or "modes" for different picture-taking conditions. These
include off, always on ("fill"), auto, red-eye reduction auto, and red-eye
reduction fill. The flash setting shows in the Status Display window at the top
of the camera. Adjustments are conveniently made when in capture mode by
pressing the flash button located on top of the camera, near the shutter
control.
In wide angle mode, the flash range is specified as
being from 1.6 to 9.84 feet (0.5 to 3.0 m), while in telephoto it is specified
at 3.2 to 8.8 feet (1.0 to 2.7m). These ranges in fact agreed fairly well with
our own measurements, although we're puzzled by the increased minimum-distance
specification in telephoto mode. Our standard tests are really oriented toward
checking the maximum range in telephoto mode, and we found that the DC215's
flash worked well out to about 9 feet, reasonably well to 10 feet, then fell off
rather rapidly beyond that distance. In macro shooting conditions, we found that
the flash was a bit bright at the minimum focusing distance, but still somewhat
usable: A piece of copier paper taped (loosely) across the flash opening would
doubtless make the flash entirely usable for close-up photos.
Quick
Delete
One of the great features of digital cameras is the ability to
review and throw away images you don't want - No more wasted exposures! The
DC215 has an optional "QuickView" mode (enabled via the setup menu) that briefly
displays each shot on the LCD just after it's taken. When the QuickView image is
displayed, a small trash can icon appears above the left arrow button. Pressing
this button while the image is still being displayed prevents it from being
saved to the memory card.
Self-Timer
The Self-Timer function is
controlled via the Self-Timer button on the top of the camera. After pressing
the Self-Timer button, focus the subject and then fully press the shutter
button. The shutter will fire in 10 seconds. The Self-Timer LED on the front of
the camera will light for the first 8 seconds and then blink for the remaining
two. The self-timer function can be used in conjunction with Macro mode (see
below), helping insure sharp macro shots when the camera is used with a
tripod.
Shutter Lag/Cycle
Times
All cameras have some delay between when the shutter release
is pressed and when the shutter actually fires. In digital cameras, this time is
used to focus the lens and set the exposure parameters (exposure time, aperture,
and white balance adjustment). The DC215 was somewhat faster in this area,
thanks to its fixed-focus lens, which eliminated the time normally required for
autofocus operation. Shutter delays averaged 0.55 seconds for normal
picture-taking, falling to 0.38 seconds when exposure and white balance were
precomputed by half-pressing the shutter button before the shot was actually
taken
Shot-to-shot cycle times are a bit on the slow side,
compared to the current crop of digicams. Maximum-resolution/quality images can
be captured every 11.4 seconds, while minimum-quality ones require about 10.2
seconds between shots.
Operation & User
Interface:
The DC215 user interface is quite easy to grasp, with
major camera feature settings accessed via the "Setup" menu system. As
experienced digicam users, we found the need to switch to setup mode to make
virtually any setting a bit tedious, but recognize that grouping all the camera
settings together in a single menu system will make the unit much easier to
operate for beginning users. Frequently-used controls (flash mode, self-timer,
and macro setting) are accessed via top-panel buttons, and controls specific to
capture mode (EV compensation and exposure lock) can be accessed with one or two
presses of the right-arrow button under the LCD screen. The zoom lens control is
right under your right thumb as you hold the camera, and the CompactFlash memory
card slot and various I/O ports (computer connection, video out, and power
connector) live on the left side of the camera (viewed from behind), protected
by a plastic door and rubber flaps. The batteries are located in a tray that
conveniently slides out from the right-hand side of the camera when they need to
be changed.
Power Switch
The camera turns on when you slide the
power switch to the right, the lens telescoping out when you do so. It turns off
in the same manner, by actuating the power switch again. The power switch is
located on the rear of the camera, just above the LCD screen.
Shutter Button
Located on
the top right of the camera, this button sets white balance and exposure when
halfway pressed and takes the exposure once fully pressed.
Zoom Lever
Located on the back
of the camera at upper right, this lever rocks back and forth to control the
optical zoom from wide angle to telephoto. The letters "W" and "T" indicate the
direction to press the lever to take the appropriate action.
The Mode Selector
Switch
Located on the back of the camera at the bottom, under the LCD
display. Slide back and forth to select one of four major operating
modes:
- Capture: Take pictures
- Review: View pictures you've already taken.
- Connect: Connect to a computer to download images.
- Preferences: Set various options controlling camera
operation.
The "DO-IT"
Button
Located on the back of the camera at lower left, just off the
corner of the LCD screen.
- In capture mode, turns the LCD viewfinder display on or off.
- When navigating the LCD menu system, pressing this button accepts the
current setting and returns you to the previous menu screen.
The Arrow Keys
Located on the back of the camera, to the
left and below the LCD display screen.
- In capture mode, the right arrow key accesses the exposure compensation
and exposure lock menus.
- In any of the LCD menus, all four keys may be used to navigate the menu
options. (Generally, the up/down keys step between different menus or
settings, while the left/right keys enter or exit sub-menus.)
Camera Modes and
Menus
Capture Mode
Automatically adjusts each image
based on existing light conditions. The camera is almost completely automatic,
providing options only for exposure compensation or exposure lock, as described
earlier. (White balance is fully automatic, with no manual overrides.)
Review
Mode
Review mode on the DC215 provides several options for viewing your
pictures. The default mode shows smaller thumbnails of images, letting you step
through images stored on the memory card very quickly. Other options include
magnified display, print ordering, and slide show display.
The screen shot at right
shows the default thumbnail-based review-mode display. Only a single photo is in
the camera in this shot: If there were more than one, other thumbnails would
appear along the bottom of the display. Pressing the DO-IT button in this mode
brings the selected image up full-screen. The left and right arrow keys select
the prior or subsequent images on the memory card, while the up/down arrow keys
select other menu options. With an image displayed full-frame, you can start a
"slide show" by pressing the DO-IT button again. In slide-show mode, the camera
will cycle continuously between all photos on the card, displaying each one for
five seconds. To save battery power, slide-show mode will stop after 5 minutes
if you're not using an AC adapter.
This screen shot shows the delete
menu, which allows you to delete either the current photo, or all pictures in
the camera's memory at once. (The menu entry below this one provides for a 2x
magnified playback on the LCD screen, allowing you to scroll the magnified
"window" around the full image via the arrow keys. We unfortunately neglected to
capture a screen shot for this option.)
The DC215 supports the
"DPOF" (Digital Print Order Format) standard. This lets you mark prints on the
memory card for subsequent output on a Kodak PictureMaker kiosk, or on an inkjet
printer with a built-in card reader. (In fall of 1999, Kodak and Lexmark
announced the Lexmark/Kodak "Personal Picture Maker" inkjet printer, which has
slots to accept both CompactFlash and SmartMedia memory cards.) Using the Print
Order option, you can order prints of individual pictures on the card, or an
"index print" containing small versions of all the images on a single page. You
can order different numbers of prints for each image on the card, unless you're
requesting an index print.
Connect Mode
The DC215 has an RS-232
serial port to connect to the host computer. (See the software description
below.) To connect to your computer, slide the mode switch to the "Connect"
position, and plug in the serial cable.
Preferences (Setup) Mode
As
we mentioned earlier, most of the details of the DC215's operation are
controlled from the Setup menu. A series of icons provide several screens' worth
of menu options. As you scroll through the menus, the current setting of each
option appears next to the icon corresponding to that function. Since the
individual menu displays show both the initial icon and the options, we'll
include small versions of each menu screen here, so you can better see the
available options for each.
- Quality screen: Varies the compression applied to saved images.
Lower quality levels allow more images to fit on the card, by increasing the
amount of image compression applied. Three levels are provide, Best, Better,
and Good. (Navigate with up and down buttons, then press "DO-IT" to make your
choice.)
- Resolution screen: The DC215 can capture images in two different
sizes, or resolutions. "High" produces images 1152x864 pixels in size, while
"Standard" captures images of 640x480 pixels.
- Template screen: Allows you to apply pre-defined templates to your
pictures. Templates can be created on your computer with the provided
software, and uploaded to your camera. Templates could include custom borders,
frames, titles, etc. When a template is selected, it will appear on the LCD
screen in QuickView or Preview modes. Templates become a permanent part of
pictures taken in this mode. You can cancel the mode by returning to this
screen and selecting "off".
- Date Stamp: Four options select from three formats for a date stamp
applied to be applied to images, or "off." Like the Template option above,
date stamps become a permanent part of each image. The date stamps include
time in 24-hour format, and appear in QuickView or Review modes, but not in
the LCD preview.
- File Type: In a nod to Kodak's prior promotion of the "FlashPix"
file format standard, the DC215 supports saving images in either FlashPix or
JPEG formats. JPEG is the default, and we really see no reason why anyone
would want to use the FlashPix option for saving their pictures. (Very few
imaging programs for the PC or Mac support FlashPix, but essentially all of
them support JPEG.)
- QuickView: This is an on/off choice only (up and down buttons, then
"DO-IT" button). When enabled, each picture taken will appear briefly on the
LCD display, with a trash can icon above the left arrow key, even if the LCD
viewfinder display is turned off. This allows you to immediately delete images
you don't want to keep, saving space on the memory card.
- Date and Time set: Self-explanatory: Set the date and time on the
DC215's internal clock/calendar.
- Display Brightness: Lets you adjust the display brightness up or
down. Although the screen provides for adjustment in 0.5-unit increments, the
units themselves are completely arbitrary. (Maybe the ability to adjust it in
increments of 0.5 makes users feel it's more precise somehow?)
- Format Memory: Wipes the memory card completely clean, or prepares
a new card for first use (if not already formatted). Accidental formatting is
difficult (a good thing) with a default option of "Cancel Format." Note that
formatting the card erases any templates you may have stored on it, in
addition to the pictures themselves.
- Video Out: The DC215 supports both the NTSC video standard common
in the US and the PAL standard used in Europe. (US cameras default to
NTSC.)
- Language: Seven choices, English, French, German, Japanese,
Portuguese, Spanish, Italian. (US default is English, for obvious reasons.)
- About this camera: Provides information about the camera: model
name, firmware version, total number of images captured, and total number of
flashes fired.
Image Storage and Interface
Images are stored on
ATA-compatible CompactFlash (CF) memory cards. A 4 megabyte (standard edition)
or 8 megabyte (Millennium edition) card comes with the camera. Additional cards
of varying capacity can be purchased.
The remaining image capacity in the current
resolution/quality mode is shown on the LCD monitor when the camera is turned
on. When the number reaches zero, the camera beeps and the green LED next to the
optical viewfinder flashes. The table below shows the number of images of each
size that can be stored on the 8MB memory card provided with the Millennium
edition (divide the number of images by two for the standard edition, to allow
for the smaller included memory card), and the approximate level of JPEG
compression used for each.
| Resolution/Quality vs Image Capacity |
|
| ||
|
|
Compression |
|
Compression | |
| Fine Quality |
|
|
|
|
| Normal Quality |
|
|
|
|
| Basic Quality |
|
|
|
|
The DC215 connects to the host via a standard RS-232 serial
connection. Until recently, this was the only way digicams connected to host
computers, and it is still by far the most common. (The alternative is the
much-faster USB port.) The DC215 transfers images to the host computer at a rate
of about 6 kilobytes per second, taking 38 seconds for a typical maximum
resolution file (247K) to cross the wire.
Video
Out
The DC215 has a video output connector for viewing images on a
television set (in either NTSC or PAL formats). Once the camera is connected to
the TV, switch the camera to Review mode, and turn it on. All the Playback mode
menus and options are available, and will appear on the video monitor instead of
the internal LCD screen. (The LCD monitor will automatically turn off once
connected to the TV.) Note that the output from the DC215 is a video signal, not
a television one. Thus, you'll need either to have a TV set with direct video
inputs on it, or to run the signal through a VCR or camcorder with video-in
jacks first.
Power
The DC215 runs on four
rechargeable AA batteries, either nickel metal hydride (NiMH), lithium, alkaline
or NiCd. Both the Millennium and Standard editions of the camera ship with four
alkaline cells, which will at least let you power it up out of the box. We
strongly recommend rechargeable NiMH batteries for any digicam using AA cells
though, as alkaline batteries generally can't handle the power drain of digital
cameras for very long. The table below details power consumption in various
operating modes:
|
|
|
| Capture Mode, w/LCD |
|
| Capture Mode, no LCD |
|
| Capture, half-pressed shutter w/LCD |
|
| Capture, half-pressed w/o LCD |
|
| Memory Write (transient) |
|
| Flash Recharge (transient) |
|
| Image Playback |
|
| "Sleep" Mode |
|
With the LCD display on, the DC215's power consumption
is somewhat higher than equivalent models from other manufacturers, or even some
of Kodak's higher-end units. With the display off, power consumption is about
average. As mentioned above, we strongly recommend high-quality rechargeable
NiMH batteries for any digital camera. (Preferably a couple of sets so one can
be charging while you're using the other in the camera.)
Included Software
The DC215 is packed with an unusually
complete bundle of software programs, providing everything you need, not only to
download and manipulate pictures shot with the camera, but also to print them
efficiently (at least on the Windows platform) and even make your own web pages
using a very nice visual layout tool. The provided software bundle
includes:
- PhotoDeluxe Software and PageMill software from Adobe Systems, Inc., for
both Windows and Macintosh
- ArcSoft PhotoPrinter Software Version 2.0 (Windows)
- A "Mounter" application/driver for Windows 95, 98 and NT 4.0
- A TWAIN Acquire Module (Windows)
- A Plug-in compatible with Photoshop Software (Macintosh)
Software installation was quite easy on our test
systems, both Mac and PC, and the Kodak picture transfer application worked well
on the Mac, as did the "Mounter" software on the PC. A brief word of explanation
about the latter may be in order, as few readers will have encountered it
previously: On Windows computers, Kodak's driver software makes the camera
appear as just another disk drive when you plug it into the computers serial
port. This makes the process of downloading images very intuitive, but can be
extremely slow over the serial connection. We actually quite like the "Mounter"
approach on Kodak's higher-end cameras that employ the faster USB interface, but
overall much preferred using the TWAIN drivers with the serial-connected DC215,
to import images directly into our applications. On the Mac, image transfer is
accomplished with a small utility program dedicated to that purpose, or via a
Photoshop(tm)-compatible "plug in".
PhotoDeluxe provide wide range of
image-manipulation functions, for "tweaking" your images after you shoot them.
PageMill is one of our favorite visually-oriented web page layout tools: It's a
very easy-to-use package for creating web pages. PhotoPrinter is a handy utility
for arranging multiple photos on a single sheet of paper, to save paper costs
when printing on your inkjet or other photo-capable printer.
Test
Results
In keeping with our standard policy, our comments here are
rather condensed, summarizing our key findings: For a full commentary on each of
the test images, see the DC215's "pictures"
page.
As with all Imaging Resource camera tests, we encourage
you to let your own eyes be the judge of how well the devices performed: Explore
the images on the pictures page, to see how well the DC215 performed, and how
its images compare to other cameras you may be considering buying.
Overall, the
DC215 produces pictures with excellent color, and sufficient resolution to look
good when printed on a photo-capable printer at up to roughly 4x6 size. Other
than the excellent color, it's primary attribute is probably ease-of-use, making
it a good camera for people who don't care for a lot of technology between them
and the picture-taking experience. As an entry-level device, it isn't as fast
from shot to shot as some more advanced cameras, taking about 11 seconds to
store one picture before its ready for the next.
The DC215's resolution
tested out at about 600 lines per picture height in both the horizontal and
vertical directions, about typical for 1.0 megapixel cameras we've tested, and a
fair improvement over the earlier DC210. In common with the '210 though, the
fixed-focus lens is noticeably sharper at short and medium distances than when
shooting objects at infinity. Unlike some higher-end cameras, the DC215 takes
excellent pictures in its lower-resolution mode as well, making it well-suited
for email and web applications. Macro performance is good but not extraordinary,
restricted to a single focusing distance by the fixed-focus lens. It should
nonetheless be acceptable for typical photography of small household items.
(Probably not sufficient though, if you want to put your stamp collection on the
web, with each stamp filling the screen.) The lens shows fairly minor barrel
distortion at the wide angle end of its setting, and none at all at the
telephoto end of its range. Chromatic aberration was very slight, estimated at
~0.5 pixels at all focal lengths.
The optical viewfinder is a bit more accurate
than most, showing roughly 90% of the final image area, while the LCD viewfinder
is 100% accurate. (A characteristic we've come to particularly appreciate in the
Kodak digicam family.)
We mentioned the DC215's excellent color: It also has a
very effective "white balance", producing color-correct images even under
lighting with a strong color cast. (Our indoor portrait test is a very tough
test of white balance, and the DC215 did very well there.) Low-light performance
is fairly modest, suited for use in average residential or office interiors, but
probably not for outdoor photography after dark.
Overall, the DC215
provide good color and ease of use for people interested in digital photos for
use on the internet, or printed at sizes up to 4x6 inches.
Conclusion
With its simplified controls and focus-free
lens, the Kodak DC215 camera is clearly intended to meet the needs of the point
& shoot user, and succeeds well in that goal. First-time users will
appreciate its simplicity and ease of use. At just exactly a megapixel, the
DC215's resolution is adequate for ~4x6 prints, but will look noticeably soft if
enlarged much beyond that size. Like all the Kodak digicams though, the DC215's
output is characterized by rich, vivid "Kodak" color. Overall, the DC215 would
be a good choice for someone who enjoys most of their pictures at 4x6 inch size,
wants straightforward, simple operation, and excellent color.
Reader Sample Images!
Do you have a Kodak DC-215 camera? If you'll post an
online album of your samples with one of the online photo-sharing services and
email us at [email protected], we'll list
the album here for others to see!
For More Info:
View the Imaging Resource Data Sheet
for the Kodak DC-215
See the Kodak DC-215 Pictures Page
Visit the Kodak
home page for the DC-215
Back to the Imaging Resource Digital Cameras Page
Follow Imaging Resource: