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Quick Review

Sony Cyber-shot DSC-P72 Digital Camera

	Camera QuickLook
	Review Date	05/08/03
	User Level	Novice
	Product Uses	Family / Travel / Special Events
	Digicam Design	Point and Shoot
	Picture Quality	Good, 3.2-megapixel CCD
	Print Sizes	Up to sharp 8x10s
	Availability	Now
	Suggested Retail Price	$349

Camera Overview
The Sony Cyber-shot DSC-P72 maintains similar dimensions and design as the rest of the Cyber-shot mid-sized "P" series, making it portable and compact while still offering plenty of purchase for your fingers. It's small enough to fit most shirt pockets, and a wrist strap keeps it securely attached to your wrist when shooting. The compact design includes a shutter-like, built-in lens cover which conveniently slides open whenever the camera is powered on, allowing the lens to telescope outward about 3/4-inch from the body. The DSC-P72's 3x zoom lens features automatic focus control, with several fixed focus settings available and an adjustable focus area. The 3.2-megapixel CCD produces high resolution, print quality images, as well as lower resolution images suitable for e-mail or other electronic use. Combine this with the ease of automatic exposure control, a handful of preset "scene" modes (including two new settings for snow and beach scenes), and the creative Picture Effects menu, and the DSC-P72 is an excellent choice for novice consumers who want to take great pictures without hassling with exposure decisions.

The DSC-P72 is equipped with a 3x, 6-18mm lens, equivalent to a 39-117mm lens on a 35mm camera. This is a fairly typical range, slightly biased toward the telephoto end relative to the more common 35-105mm range found on many 3x zoom-equipped cameras. Normal focus ranges from approximately 1.64 feet (0.5 meters) to infinity, with a Macro setting that lets you get within four inches (10 centimeters) when the lens is zoomed to its wide angle position, and 19.75 inches (50 centimeters) at its telephoto setting. (The net result is about average performance in closeup shooting.) In addition to automatic focus control, the DSC-P72 offers a total of five fixed focus settings through the Record menu, as well as Center AF and Multi AF focus area options. An AF illuminator lamp on the front of the camera helps focus at low light levels, a very handy feature I wish more digicam manufacturers would add to their cameras. The DSC-P72 employs a new technology that Sony calls "Smart Zoom," which offers a maximum of 3.2x digital zoom. According to Sony, Smart Zoom lets you digitally enlarge the image without any significant loss of image quality. In actuality, "Smart Zoom" simply means that the camera doesn't interpolate the pixels it crops from the center of the CCD array when zooming digitally. This limits the digital zoom range based on the currently-selected image size, with maximum zoom only available at the smallest image size. This is the most reasonable approach to "digital zoom," and one that I wish more manufacturers would adopt. (For the record, Fuji's digicams have operated this way for some time now.) For composing images, the DSC-P72 offers a real-image optical viewfinder and a 1.5-inch, color LCD monitor.

Exposure is automatically controlled at all times on the DSC-P72, great for novices and casual users looking for simplicity. You can override the exposure with an exposure compensation adjustment though, a necessary feature for shooting subjects that are uniformly light or dark overall. An On/Off button on top of the camera powers the camera on, and a Mode dial on the back panel selects between Playback, Record, and Movie exposure modes. Within Record mode, you can select Automatic, Program, Twilight, Twilight Portrait, Landscape, Snow, or Beach modes. (The latter two modes being introduced for the first time to the Cyber-shot line.) The Automatic setting removes all user control, with the exception of flash, macro, and resolution. Program mode keeps exposure determination automatic, but you now have control over all other exposure variables. Both Twilight modes optimize the camera for low-light shooting by allowing shutter times as long as two seconds, while Landscape mode sets the camera up for shooting broad vistas. Snow mode enhances saturation to prevent loss of color in bright white snowscapes, while Beach mode ensures that blue tones are recorded accurately in lakeside or seaside photos.

Although the camera controls aperture and shutter speed, it does report the settings it has chosen on the LCD information display, so you have an idea of what the exposure will be. (Another feature I wish more manufacturers would emulate, even on lower-end cameras. Knowing the actual shutter speed can be very helpful in judging whether or not you'll be able to successfully hand hold an exposure in dim lighting.) The Record menu offers additional exposure options of White Balance, Exposure Compensation, Spot Metering, ISO, Record Mode, Flash Level, Picture Effects, Focus, and image quality settings. Under the Picture Effects setting, you can record images in black and white or sepia monochrome, or select the Solarize or Negative Art options. The DSC-P72's flash operates in Forced, Suppressed, Auto, Red-Eye Reduction, and Slow-Sync (Twilight Portrait only) modes. Interestingly enough, Sony removed the image size setting from the Record menu, and gave it an external control. This is useful when trying to quickly change resolution settings, as you don't have to fish through menu options. (Though you'll still need to call up the menu system to adjust the image quality setting.)

In Movie exposure mode, the camera captures either 640 x 480-, or 160 x 112-pixel resolution moving images with sound for as long as the memory card has available storage space. Unrestricted (other than by card capacity) recording at 640 x 480 pixels is quite unusual in digicams, and is the key feature that distinguishes Sony's MPEGmovieVX mode. The DSC-P72 also offers Clip Motion and Multi Burst modes. Clip Motion records a series of up to 10 images that are automatically saved in a single animated GIF file, and that can be played back as an animation sequence. (A feature I've enjoyed on previous Cyber-shot digicams.) Multi Burst mode captures an extremely rapid 16-frame burst of low-resolution images, at a selectable rate of 7.5, 15, or 30 frames per second. Multi Burst shots are played back as a slow-motion animation on the camera, but appear as a single large file with 16 sub-images in it when viewed on a computer. (This is a great tool for analyzing golf and tennis swings, or conducting other sports-related time-motion studies.) A Self-Timer mode provides a 10-second delay between the time the Shutter button is pressed and the time that the camera actually takes the picture, giving the photographer time to run around and get into the picture. Also available on the DSC-P72 are Burst 2 and Voice record modes. Burst 2 records two images in rapid succession, with one press of the Shutter button. Voice mode records a short sound clip to accompany an image, useful for attaching voice captions.

The DSC-P72 stores images on Sony Memory Sticks, available separately in capacities as large as one gigabyte. (The DSC-P72 is compatible with Sony's new Memory Stick PRO format, breaking the previous 128 MB barrier for Memory Stick storage.) A 16MB Memory Stick comes with the camera, but I'd recommend also purchasing a larger capacity card so you don't miss any shots. As with last year's mid-sized P-series models, the P72 once again departs from Sony's typical practice of using their proprietary "InfoLITHIUM" batteries, using instead two AA batteries for power, either alkaline, NiMH, or lithium. A set of two rechargeable NiMH AAs and a battery charger are included in the box with each camera. Battery life is quite good for a two-AA cell camera, but I still strongly advise picking up a couple of extra sets of rechargeable AA batteries and packing them along on any extended outing. (See my Battery Shootout Page for actual capacity test data of the top AA cells on the market.) The optional AC adapter is useful for preserving battery power when reviewing and downloading images, but having a couple of sets of rechargeable batteries really eliminates the need for it apart from extended studio use. The DSC-P72 features a Video Out jack, for connecting to a television set, and a USB jack for downloading images to a computer. A software CD is loaded with Pixela Image Mixer software and USB drivers, for downloading and organizing images. (On Windows Me, 2000, or XP computers, or Macs running OS 8.6 to 9.2, no separate USB driver software is needed. The camera shows up on the desktop automatically when it is plugged in.)

Basic Features

• 3.2-megapixel CCD.
• Real-image optical viewfinder.
• 1.5-inch color LCD monitor with backlight.
• Glass, 3x zoom lens, equivalent to 39-117mm on a 35mm camera.
• Maximum aperture of f/2.8 - f/5.6, depending on lens zoom position.
• As much as 3.2x digital "Smart Zoom."
• Automatic exposure control.
• Shutter speeds from 1/2,000 to two seconds.
• Built-in flash with five modes.
• Memory Stick storage, 16MB card included.
• USB computer interface and supplied cable.
• Power supplied by two AA batteries or optional AC adapter.
• Pixela Image Mixer software and USB drivers included for both Windows and Mac platforms.

Special Features

• Movie mode with MPEG VX Movie, Clip Motion, and Multi Burst options.
• Twilight, Twilight Portrait, Landscape, Snow, and Beach preset modes.
• 10-second Self-Timer for delayed shutter release.
• Picture Effects menu with Black-and-White, Sepia, Negative Art, and Solarize effects.
• Macro (close-up) lens setting.
• White balance (color) adjustment with five modes.
• E-mail (320 x 240-pixel), Burst 2, and Voice record modes.
• Multi-Pattern and Spot metering modes.
• Sensitivity setting with three ISO equivalents (100, 200, 400) and an Auto setting.
• Five (optional) fixed focus settings.
• Adjustable autofocus area.
• DPOF (Digital Print Order Format) compatibility.
• Video cable for connection to a television set.

Recommendation

Midrange Point & Shoots If you're interested in the camera in this review, here are some competing models that may also interest you. (Camera names that aren't links are those we haven't reviewed yet. - Stay tuned.) Three Megapixel, 3x zoom Canon A70 Prices Fuji A303 Prices Kodak DX4330 Prices Minolta Xi (subcompact) Prices Nikon 3100 Prices Olympus 560 Prices Olympus 550* Prices Pentax 330GS Prices Sony P72 Prices * - model phasing out Confused? Check out Dave's Picks!

Like the rest of the mid-sized "P" series of Sony Cyber-shot cameras, the DSC-P72 is a good quality, compact digicam. It offers the convenience of point-and-shoot simplicity, but with enough advanced features to make it possible to take photos in otherwise challenging situations (low light, fast action, etc.). The 3.2-megapixel CCD delivers high quality images, appropriate for any use from printing to distributing via e-mail, and its compact design makes it a good candidate for travel. (While not as tiny as cameras like Sony's own P8 and P9, or the Canon Digital ELPH series, the P72 fits quite nicely into pant or coat pockets.) Overall, the P72 is a good choice for anyone wanting a capable, portable camera that takes good photos in a variety of circumstances. The DSC-P72 is easy to use for rank beginners, but has enough flexibility to handle a range of conditions.

Design
With its small body size and compact design, the DSC-P72 maintains dimensions similar to the rest of Sony's midsized "P" series Cyber-shot models. Its sleek, smooth styling is free from any significant protrusions except for the lens, which telescopes outward when powered on. The DSC-P72's dimensions of 4.75 x 2.38 x 1.31 inches (120 x 58 x 33 millimeters) makes it just small enough to fit into a shirt pocket or small purse. The all-plastic body keeps the DSC-P72 light weight as well, at just 9.1 ounces (258.6 grams) with batteries and memory card.

 

 

The front of the DSC-P72 is rounded on the right side, following the shape of the lens barrel and adding to the smooth design aesthetic. A shutter-like, retractable lens cover protects the lens whenever the camera is powered off, flipping quickly out of the way when the camera is turned on again. The lens telescopes out from the camera body about 3/4-inch into its operating position. Also on the front panel are the flash, optical viewfinder window, AF illuminator lamp, and small microphone. A small, sculpted ridge serves as a finger rest when holding the camera, improving your grip to a surprising degree. Still, this ridge is small enough that you'll probably want to keep the wrist strap securely in place while shooting.

 

 

On the right side of the camera (as viewed from the back) is the battery compartment. A sliding plastic door protects the compartment, and features a latch that prevents it from accidentally flying open while shooting. Just below the compartment is the wrist strap attachment eyelet.

 

 

The opposite side of the camera features only the Memory Stick compartment, at the very bottom. A hinged, plastic door opens downward to reveal the card slot. I heartily approve of providing side access for both the Memory Stick and battery compartments, as this greatly helps when shooting with a tripod. Given the large amount of studio work I do, I always appreciate being able to quickly change out batteries or memory cards without dismounting the camera from the tripod.

 

 

The DSC-P72's top panel is fairly smooth and flat, featuring only the Shutter and Power buttons, both of which barely protrude from the camera's surface.

 

 

The few remaining camera controls are on the back panel, along with the optical viewfinder eyepiece, LCD monitor, speaker, and connector jacks. Three LED lamps next to the optical viewfinder report camera status, indicating when focus is set or the flash is charging. The Mode dial and Zoom rocker button dominate the top left corner of the back panel, while the Menu, Display, Image Size / Erase, and Four Way Arrow pad line up below them. A small speaker is on the left side of the LCD monitor. On the right side, beneath the Zoom rocker button, a tethered plastic flap covers the DC In, Video Out, and USB connector jacks. Two ridges on the outside of the plastic flap serve as a thumb grip while holding the camera.

 

Camera Operation
The DSC-P72's user interface is very straightforward, with only a few external controls and a very concise LCD menu system. Menu setup is similar to previous Cyber-shot designs, though the DSC-P72 does have a couple of changes relative to prior units. For starters, all of the camera's scene and exposure modes are now accessible through the Record menu, and the mode selection dictates the available menu options. (Previous models employed a separate mode dial position for Scene mode access.) Sony also moved the resolution setting to an external control, for quicker access. For standard point-and-shoot operation, the most basic features (flash, zoom, and macro and self-timer modes) have external controls, while settings like White Balance, Exposure Compensation, etc. are adjusted through the menu system. The Mode dial lets you quickly set the camera's main operating mode, with just a turn. When you do need to enter the LCD menu system, you'll find it simple to navigate, with each setting appearing as a separate tab at the bottom of the screen. The arrow keys of the Four Way Arrow pad scroll through the selections, and the OK button in the center of the pad confirms any changes. The menu system is so simple and intuitive I think even novice users will be able to become completely familiar with it in an hour or less.

Record-Mode Display
In record mode, the LCD monitor optionally displays just the subject, the subject plus an information overlay, or nothing at all. (That is, the LCD may be turned off.)


Playback-Mode Display
In playback mode, the LCD display can show the captured images with or without an information overlay, a thumbnail index showing multiple images at once, or detailed information regarding the exposure parameters for a given image. The index and detailed information displays are accessed by pressing the "W" side of the zoom control on the camera's rear panel. Pressing the "T" side of the same control lets you zoom in on an image, up to 5x. Once zoomed, the arrow keys let you scroll around the enlarged image.

External Controls

• Playback: Replays captured still images and movie files, with options for image management and printing.
• Record: Places the camera in Record mode, with seven exposure modes available.
• Movie: Records moving images with sound, for as long as the Memory Stick has space. Also accesses Clip Motion and Multi Burst modes when activated through the Set-Up menu.
• Set-Up: Displays the Set-Up menu, for changing camera settings.

In Playback mode, this button controls the digital enlargement of captured images and accesses the index display mode as well as a detailed information display. (The "T" side zooms in, the "W" side zooms out. Zooming out from the normal-sized single image view brings up an index display of tiny "thumbnail" images.)

In Automatic Record mode, the up arrow controls flash mode, cycling through Auto, Forced, and Suppressed modes (it only activates Slow-Sync in Twilight Portrait mode, and no flash modes are available in Twilight, Landscape, or Movie modes). The down arrow activates the Self-Timer option, while the right arrow controls the Macro mode. The left arrow calls up a quick review of the most recently-captured image.

In Playback mode, the left and right keys scroll through captured images on the memory card. When an image has been enlarged, all four arrow keys move around within the enlarged view.

• Camera: This menu takes the place of several mode-dial options on previous Sony models. Offers Automatic, Program, Twilight, Twilight Portrait, Landscape, Snow, and Beach exposure modes. The mode selected dictates which of the following options are available. (Program mode offers all of the following, Auto offers only the Mode submenu.)
• Exposure Compensation: Increases or decreases exposure from -2 to +2 exposure equivalents (EV) in one-third step increments.
• Focus: Changes the focus area to Multi AF or Center AF, or selects from a range of fixed focus settings (0.5, 1.0, 3.0, or 7.0 meters, or Infinity).
• Spot Metering: Selects between Spot Metering or Multi Metering mode.
• White Balance: Sets the color balance to Auto, or adjusts for Daylight, Cloudy, Fluorescent, or Incandescent light sources.
• ISO: Sets the camera's light sensitivity to Auto, or to 100, 200, or 400 ISO equivalents. Use ISO 200 or 400 for action shots, where you need a faster shutter speed to freeze the action. (Higher ISOs produce "noisier" images though.)
• Image Quality: Sets the JPEG compression level to Fine or Standard.
• Mode: Changes the recording mode to Normal, Voice, Burst 2, or E-Mail (records a 320 x 240-pixel image in addition to one at the selected image size). Voice records a short sound clip in addition to the JPEG image. Burst 2 mode records two images in rapid succession, with one press of the Shutter button.
• Flash Level: Adjusts the flash intensity to Normal, Low, or High.
• Picture Effects: Applies creative effects like Solarize, Black and White, Sepia, or Negative Art, or turns Picture Effects off.

• Folder: Selects the folder of images to be played back.
• Protect: Write-protects the current image, or removes protection.
• DPOF: Marks the current image for printing on a DPOF device, or removes the print mark.
• Slide: Enables a slide show of all images captured on the Memory Stick. You can control the interval between each image as well as whether or not the slide show repeats.
• Resize: Resizes the current image to one of the available resolution sizes. (This makes a copy of the image at the new size, your original image is left undisturbed.)
• Rotate: Rotates the current image 90 degrees clockwise or counterclockwise.
• Divide: Divides movie files into segments, providing a very basic editing tool you can use to "trim" your movies to just the portion you want to keep.

• Exposure Compensation: Increases or decreases exposure from -2 to +2 exposure equivalents (EV) in one-third step increments.
• Focus: Changes the focus area to Multi AF or Center AF, or selects from a range of fixed focus settings (0.5, 1.0, 3.0, or 7.0 meters, or Infinity).
• Spot Metering: Turns on Spot Metering or shuts it off.
• White Balance: Adjusts the color balance for Auto, Daylight, Cloudy, Fluorescent, or Incandescent light sources.
• Interval: (In Multi-Burst mode only.) Sets the Multi-Burst frame rate to 7.5, 15, or 30 frames per second.
• Image Quality: (In Multi-Burst mode only.) Sets the image quality to Fine or Standard.
• Picture Effects: Applies creative effects like Solarize, Black and White, Sepia, or Negative Art, or turns Picture Effects off.

• Camera:
  • Moving Image: Sets the Movie recording type to MPEG Movie, Clip Motion, or Multi Burst. (Multi-burst records 16 small images in very rapid succession in a single frame of memory. The images play back as a slow-motion movie. Capture rates can be set via the Movie Mode menu to 7.5 ,15, or 30 frames/second.)
  • Smart Zoom: Turns the Smart Zoom digital zoom function on or off.
  • Date/Time: Controls the date and time display, options are Day & Time, Date, or Off.
  • Red-Eye Reduction: Enables the Red-Eye Reduction flash (which will fire with all flash modes), or turns it off.
  • AF Illuminator: Sets the AF Illuminator to Auto mode, or simply turns it off.
    
    
• Memory Stick Tool
  • Format: Formats the Memory Stick, erasing all files (even "protected" ones).
  • File Number: Specifies whether file numbering resets with each new Memory Stick or continues in a series.
  • Create Rec. Folder: Creates a new folder for recording images.
  • Change Rec. Folder: Changes the folder that images are recorded to.
    
    
• Setup 1
  • Power Save: Enables or disables the camera's Power Save feature, which shuts the camera off after a length of inactivity.
  • LCD Brightness: Adjusts the LCD display brightness level to Normal, Bright, or Dark.
  • LCD Backlight: Controls the LCD backlight feature, setting it to Normal or Bright.
  • Beep: Controls the camera's beep sound, setting it to Shutter, On, or Off.
  • Language: Changes the camera's menu language to English or Japanese.
  • Clock Set: Sets the camera's internal clock.
    
    
• Setup 2
  
  • USB Connect: Places the USB connection into PTP or Normal modes.
  • Video Out: Specifies the camera's Video Out signal as NTSC or PAL.
    
    

• Wrist strap.
• 16MB Memory Stick.
• USB cable.
• Video cable.
• Two AA NiMH batteries with charger.
• Software CD.
• Instruction manual and registration card.

Recommended Accessories

• Larger capacity Memory Stick.
• Additional AA rechargeable batteries.
• AC adapter.
• Small camera case.

Recommended Software: Rescue your images!
Just as important as an extra memory card is a tool to rescue your images when one of your cards fails at some point in the future. I get a lot of email from readers who've lost photos due to a corrupted memory card. Memory card corruption can happen with any card type and any camera manufacturer, nobody's immune. A surprising number of "lost" images can be recovered with an inexpensive, easy to use piece of software though. Given the amount of email I've gotten on the topic, I now include this paragraph in all my digicam reviews. The program you need is called PhotoRescue, by DataRescue SA. Read our review of it if you'd like, but download the program now, so you'll have it. It doesn't cost a penny until you need it, and even then it's only $29, with a money back guarantee. So download PhotoRescue for Windows or PhotoRescue for Mac while you're thinking of it. (While you're at it, download the PDF manual and quickstart guide as well.) Stash the file in a safe place and it'll be there when you need it. Trust me, needing this is not a matter of if, but when... PhotoRescue is about the best and easiest tool for recovering digital photos I've seen. (Disclosure: IR gets a small commission from sales of the product, but I'd highly recommend the program even if we didn't.) OK, now back to our regularly scheduled review...

About Batteries
Time for my standard battery tirade. I've gotten so many emails about power issues for digicams, that I'm now inserting this standard notice in the reviews of all AA-powered cameras on our site. Don't even *think* about using alkaline AA batteries in a digicam! Despite their being packed in the box with many cameras, they simply don't have the juice to handle typical digicam demands. Big kudos to Sony for including a very high capacity set of AA NiMH cells with the DSC-P72, as well as a nice little charger. Do yourself a favor though, and get a couple of extra sets of high-capacity NiMH AA cells, and always keep one set charged and ready to go while the other is in the camera. See my Battery Shootout page for the latest info on which NiMH batteries have the highest capacities.

 

Sample Pictures
See my sample pictures and detailed analysis here. The thumbnails below show a subset of our test images. Click on a thumbnail to see the full-size photo.

Outdoor	Indoor Flash	Indoor
House	Musicians	Macro
Davebox	Resolution	Viewfinder Accuracy

 

"Gallery" Photos
For those readers interested in a set of less "standardized" photos from the P10, here are some thumbnails of more random shots snapped with it. Click on one any of the thumbnails below for a larger view. Click on the larger view again to see the original image from the camera. (Photos in this gallery were shot by Gibbs Frazeur or Stephanie Boozer. Thanks Gibbs and Stephanie!)

NOTE: that these are big files, so be aware that (a) they'll take a while to download, and (b) they'll chew up a pretty good chunk of bandwidth on us. (Read the "support this site" blurb at the top the carrier pages, and think about it while you're waiting for the images to download.

NOTE TOO: Some browsers have difficult with very wide images, and distort them a lot when they display them. (I don't know about others, but IE 5.0 on the Mac definitely does this. If the full-sized images appear to be stretched horizontally, you may need to just download them to your hard drive and view them in an imaging application, or possibly try another browser.)

YDSC00271.JPG 1,398.9 KB Shutter: 1/ 250 Aperture: F5.6 Exposure EV: 12.9 ISO Speed: 100	YDSC00273.JPG 1,479.8 KB Shutter: 1/ 80 Aperture: F7.1 Exposure EV: 11.9 ISO Speed: 100	YDSC00274.JPG 1,403.8 KB Shutter: 1/ 400 Aperture: F5.6 Exposure EV: 13.6 ISO Speed: 100
YDSC00275.JPG 1,435.2 KB Shutter: 1/ 320 Aperture: F5.6 Exposure EV: 13.2 ISO Speed: 100	YDSC00277.JPG 1,413.4 KB Shutter: 1/ 400 Aperture: F5.6 Exposure EV: 13.6 ISO Speed: 100	YDSC00283.JPG 1,312.1 KB Shutter: 1/ 160 Aperture: F7.1 Exposure EV: 12.9 ISO Speed: 100
YDSC00284.JPG 1,421.2 KB Shutter: 1/ 320 Aperture: F6.3 Exposure EV: 13.6 ISO Speed: 100	YDSC00289.JPG 1,410.2 KB Shutter: 2 Aperture: F4 Exposure EV: 3 ISO Speed: 100

Specifications
See the specifications sheet here.

 

Picky Details
Information on shooting speed, battery life, etc. can be found here.

User Reviews

• Sony Cyber-shot DSC-P72 user reviews on PriceGrabber.com
  
  
• Sony Cyber-shot DSC-P72 user reviews on PC PhotoREVIEW
  

 

Test Results
In keeping with my standard test policy, the comments given here summarize only my key findings. For a full commentary on each of the test images, see the DSC-P72's "pictures" page.

As with all Imaging Resource product tests, I encourage you to let your own eyes be the judge of how well the camera performed. Explore the images on the pictures page, to see how the DSC-P72's images compare to other cameras you may be considering.

• Color: The P72's color is very good overall, with good levels of saturation, and generally accurate hue. It did have a tendency to produce slight color casts under a variety of lighting conditions, but the casts generally were pretty minor. Both the Auto and Incandescent settings produced very warm images in the Indoor Portrait without flash, a common issue among the digicams I test. Outdoors, color was very good, although Caucasian skin tones tended to be a little pink. The large color blocks of the "Davebox" test were about right, though saturation was a bit high in the large red and blue blocks. Overall though, I'm probably picking at nits - The P72's pictures are quite appealing.
  
  
• Exposure: The P72 did pretty well exposure-wise, requiring less exposure compensation than many cameras on the high-key "Outdoor Portrait" test, and generally producing good-looking pictures. In harsh lighting, its dynamic range is a bit limited, with a tendency to lose highlight detail and plug shadows slightly. On my "Davebox" test though, the P72 distinguished the subtle pastel tones on the Q60 target well, and shadow detail actually looked pretty good. The indoor portraits required about average positive exposure compensation, and exposure looked about right. All in all, exposure performance was on the good side of average.
  
  
• Resolution/Sharpness: The DSC-P72 performed well on the "laboratory" resolution test chart. It started showing artifacts in the test patterns at resolutions as low as 800 lines per picture height in the vertical direction, and around 600 lines horizontally. I found "strong detail" out to at least 1,200 lines. "Extinction" of the target patterns didn't occur until about 1,400 lines.
  
  
• Closeups: The DSC-P72 performed about average in the macro category, capturing a minimum area of 3.73 x 2.80 inches (95 x 71 millimeters). Resolution is high, with great detail in the dollar bill, coins, and brooch. Details are just a hint soft, but still well-defined. Corner softness is also present, but not terribly strong. The DSC-P72's flash had trouble throttling down for the macro area, and overexposed the shot. (Plan on using an external light source when snapping macro shots with the P72.)
  
  
• Night Shots: Like many of Sony's digicams, the DSC-P72's Twilight shooting mode doesn't access the camera's ISO adjustment. Thus, I shot a series at each ISO setting, and one in the camera's Twilight mode. With a maximum shutter time of two seconds, however, the camera's low-light capabilities were a little limited. In Twilight mode, images were bright only as low as one foot-candle (11 lux), which is about equivalent to average city street lighting at night. Even at that level though, the overall image was just a hint dim. Images shot at ISO 100 and 200 produced similar results, though the ISO 200 image was brighter. At ISO 400, images were bright as low as 1/2 foot-candle (5.5 lux), so the camera should do quite well for typical outdoor night shooting in reasonably well-lit areas. Color looked pretty good, though with the slightest red cast in the dimmer shots. Noise was low at ISO 100, but increased to a moderately high level at ISO 400. Low light shooting is also aided by a bright (optional) autofocus-assist light, providing good focusing capability even in very dark surroundings.
  
  
• Viewfinder Accuracy: The DSC-P72's optical viewfinder is a little tight, showing approximately 80 percent frame accuracy at wide angle, and approximately 84 percent at telephoto. (Most digicams I test have optical viewfinders falling into this accuracy range, but I'd really like to see the standard raised to 90% or higher.) Images framed with the optical viewfinder are shifted slightly toward the lower left corner of the frame as well. The LCD monitor is much more accurate, showing approximately 99 percent of the frame at wide angle, and 99+ (99.8) percent at telephoto. Given that I like LCD monitors to be as close to 100 percent accuracy as possible, the DSC-P72's LCD monitor is essentially perfect in this regard, but I'd really like the optical viewfinder to be more accurate.
  
  
• Optical Distortion: Optical distortion on the DSC-P72 is a bit higher than average at the wide-angle end, where I measured approximately1.0 percent barrel distortion. The telephoto end fared better, as I measured a 0.4 percent barrel distortion there. (Most cameras I test seem to show about 0.8 percent barrel distortion at wide angle (still too much, IMHO), and generally switch over to a very slight pincushion distortion at the telephoto end of their zoom range.) There's a fair bit of coma or flare (I'm not sure which) on the left side of the frame, but chromatic aberration is fairly, showing relatively faint coloration on either side of the target lines. (This distortion is visible as a slight colored fringe around the objects at the edges of the field of view on the resolution target.) Some corner softness was present in wide angle shots, but the effect wasn't too strong overall. Overall, an "average" lens performance.
  
  
• Battery Life: Battery life on the P72 is pretty decent for a camera powered by only two AA cells. Worst case run time with "standard" 1600 mAh batteries would be about 100 minutes, rising to 220 minutes in capture mode with the LCD off. (The P72 ships with a pair of 1850 mAh Sony-branded batteries, but I base runtime projections on 1600 mAh cells to provide a basis of comparison with older cameras, first tested back when 1600 was as high a capacity as was available.) Despite the reasonably good run time performance of the P72, I strongly recommend that you pick up another set or two of high-capacity NiMH rechargeable batteries. See my Battery Shootout page for the latest info on which NiMH batteries have the highest capacities.
  

Conclusion

Midrange Point & Shoots If you're interested in the camera in this review, here are some competing models that may also interest you. (Camera names that aren't links are those we haven't reviewed yet. - Stay tuned.) Three Megapixel, 3x zoom Canon A70 Prices Fuji A303 Prices Kodak DX4330 Prices Minolta Xi (subcompact) Prices Nikon 3100 Prices Olympus 560 Prices Olympus 550* Prices Pentax 330GS Prices Sony P72 Prices * - model phasing out Confused? Check out Dave's Picks!

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I've consistently been a fan of Sony's Cyber-shot line of digicams, and regarded the previous DSC-P71 a good "midrange" option for point-and-shoot digital photography. The DSC-P72 proves just as capable, if not more so with its extended preset Scene options. The camera's light weight and portable size are perfect for travel, and the range of automatic exposure modes should handle most shooting situations well. I'd really like to see a more accurate optical viewfinder, and its Caucasian skin tones are a little on the pink side, but the overall color, tone, and functionality of the DSC-P72 are all excellent. If you're looking for a good "all around" camera in the three megapixel range, the P72 deserves a good look.