Sony DSC-S50Sony makes a compact 2.1 megapixel digicam with full movie/sound capability!<<Executive Overview :(Previous) | (Next): Viewfinder>> Page 3:DesignReview First Posted: 4/12/2000 |
Design
Sony's new DSC-S50 is an very compact
little camera, especially when compared to the floppy-based Sony digicams like
the FD-88 and FD-91. But its small frame packs a host of features, including the
very nice LCD monitor which we'll get into a little more later. The all plastic
body keeps the S50 very lightweight at 13 ounces (370 g) excluding the battery
pack. Measuring 4.5 x 2.75 x 2.76 inches (113 x 68 x 69mm), the S50 should fit
into most coat pockets and purses. With its accompanying wrist strap, we're
pretty sure you won't leave this one behind.
The front of the S50
sports a slightly protruding lens barrel, the lens of which is protected by a
removable lens cap. The rest of the camera front is very cleanly designed, with
a large finger grip on the side and the built-in flash also present.
The entire right side of
the camera (as viewed from the rear) is taken up by the battery
compartment/MemoryStick slot. We heartily approve of these two living side by
side, as it makes card and battery changes a snap when mounted to a tripod. Both
are easy to get to and the sliding, protective door works very smoothly.
The opposite side of the
camera mainly features the Video In and USB jacks, beneath a small rubber flap
that snaps into place. Otherwise, the lens barrel defines the contour of most of
this side.
The shutter release
button, mode dial, speaker and microphone all live on the top side of the
camera, which has a very smooth surface other than the minor protrusion of the
mode control.
All of the camera
controls, except those previously mentioned, are on the back panel with the LCD.
Let us first mention the extremely flexible LCD monitor which actually lifts up
off of the back panel and flips upward 180 degrees. The LCD also has a swivel
top that lets you turn it back around to face the camera operator: Pretty nifty,
especially for self portraits. It also can be turned to face into the back of
the camera and latched in place for safe transport. Aside from the LCD monitor,
the zoom control, power switch, DC input, menu controls, flash button, etc. can
be found on the back panel. We liked the fact that the LCD monitor has its own
backlight adjustment on the back panel (bright/normal), although you do have to
go through the settings menu for finer-grained brightness adjustment. There's
also a rocker switch for volume control, more convenient when playing back
movies than rummaging through the settings menu.
The S50's bottom is very
flat and relatively featureless with the exception of the metal tripod mount,
set as close to the lens as was possible. The proximity between the lens and
tripod mount is good for panorama shooting, but having the socket positioned so
far forward on the camera bottom makes for a less stable mount on some tripod
heads. We appreciate Sony's use of a rugged metal investment casting for the
tripod socket, which we view as being far superior to the structural plastic
sockets used on many digicams. As we mentioned earlier, we also applaud the
design of the S50's battery compartment and card slot, allowing us to easily
change out both while using a tripod. Many digicam manufacturers place these
slots on the bottom of the camera, which can be very
inconvenient.
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