• APS-C 368.2mm2
  • 16.3 megapixels
  • ISO 200 - 6400
  • 35mm 855.6mm2
  • 24.3 megapixels
  • ISO 100 - 25,600

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Differences

Fujifilm X-T1 advantages over Sony A7 II

  • More telephoto lens reach
    84 mm vs 70 mm
    Capture objects farther away with the kit lens
  • Less shutter lag
    0.14 vs 0.22 sec
    Focus and take a photo quickly (wide angle)
  • More viewfinder magnification
    0.77x vs 0.71x
    Get a bigger view of the scene through the eye-level viewfinder
  • Doesn't require an AA filter
    Yes vs No
    A unique sensor design provides sharp photos without moiré
  • Faster JPEG shooting
    8.3 fps vs 5.0 fps
    Faster JPEG shooting (burst mode)
  • Faster RAW shooting
    8.2 fps vs 5.0 fps
    Faster RAW shooting in burst mode
  • Faster shutter
    1/32000 vs 1/8000 sec
    Shoot wide open in bright light

Sony A7 II advantages over Fujifilm X-T1

  • Larger sensor
    35mm vs APS-C
    More sensor area. Bigger is (generally) better.
  • In-Camera Image Stabilization
    Yes vs No
    Reduces the effects of camera shake at slower shutter speeds
  • Bigger pixels
    ~ 5.97 vs 4.82 microns
    Better low-light and dynamic range (all else equal)
  • NFC
    Yes vs No
    Simplifies pairing your camera with supported phones
  • More pixels
    24.3 vs 16.3 megapixels
    Higher resolution photos
  • Headphone jack
    Yes vs No
    Monitor audio recording while you shoot video
  • Bigger JPEG buffer
    52 vs 30 shots
    Take more JPEG shots before waiting (burst mode)

Similarities

Common Strengths

  • Focus peaking
    Both provide
    Your camera will highlight what's in focus
  • Eye-level viewfinder
    Both provide
    You'll be able to frame photos even when the sun is out
  • In-camera panoramas
    Both provide
    Stitches multiple shots into a panoramic photo
  • Tiltable Screen
    Both provide
    Tilt the screen for shooting flexbility
  • Built-in Wi-Fi
    Both provide
    Share your photos wirelessly
  • On-sensor phase detect
    Both provide
    Usually improves live view and video AF performance
  • External Mic Jack
    Both provide
    Improved sound fidelity when shooting video
  • HDMI out
    Both provide
    Use HDMI output to monitor or review video
  • Hot shoe
    Both provide
    Off-camera flashes open new possibilities
  • Bulb shutter
    Both provide
    Hold the shutter open manually for long exposures

Common Weaknesses

  • Tilt-swivel screen
    Neither provide
    Tilt and swivel the screen for maximum shooting flexibility
  • Touchscreen
    Neither provide
    Interact with your camera just like your smartphone
  • Built-in Bluetooth
    Neither provide
    Always-on wireless connectivity
  • Built-in GPS
    Neither provide
    Geotag your photos
  • Internal flash
    Neither provide
    Useful in a pinch for fill flash
  • Top deck display
    Neither provide
    Check settings with a screen on top of the camera
  • Dual card slots
    Neither provide
    Gives you more storage flexibility
  • Slow-motion videos
    Neither provide
    Shoot slow-motion videos

User reviews

Buy From

Review Excerpt

  • Excellent image quality; Solid, weather-sealed body; Retro design that actually makes sense in a digital camera; Very low viewfinder lag for single-servo shooting; Fast burst shooting with great buffer depths; In-camera Wi-Fi connectivity

  • Exposure compensation dial is easily bumped; Four-way controller buttons are hard to press; Significant viewfinder lag for burst shooting; No raw files above ISO 6,400; Default settings strongly limit JPEG dynamic range

  • Excellent 5-axis sensor-shift image stabilization; Sensor-shift IS brings stabilization to nearly any lens; Much-improved ergonomics and top-deck control layout; 'Mark II' maintains same impressive image quality, dynamic range and high ISO performance; XAVC S 50Mbps video format; Faster start-up time; Hybrid AF performs well with good continuous AF.

  • (Similar to A7): Loud shutter (but electronic first-curtain helps); Battery life could be better; Low-light AF still not as good as most DSLRs; High ISO JPEGs look over-processed; Slow buffer clearing; Limited selection of native Sony FE lenses (but it's getting better).

The Competition

Compared to Sony A7

Fujifilm X-T1
Sony A7
  • $1099
  • APS-C
  • Fast startup
  • More telephoto lens reach
  • $748
  • 35mm
  • Less expensive
  • Larger sensor
Sony A7 II
Sony A7
  • $1148
  • 35mm
  • In-Camera Image Stabilization
  • $748
  • 35mm
  • Less expensive

Compared to Fujifilm X-E2

Fujifilm X-T1
Fujifilm X-E2
  • $1099
  • APS-C
  • Tiltable Screen
  • More viewfinder magnification
  • $899
  • APS-C
  • Less expensive
  • Internal flash
Sony A7 II
Fujifilm X-E2
  • $1148
  • 35mm
  • Larger sensor
  • In-Camera Image Stabilization
  • $899
  • APS-C
  • Less expensive
  • More telephoto lens reach

Compared to Samsung NX30

Fujifilm X-T1
Samsung NX30
  • $1099
  • APS-C
  • Lens selection
  • More viewfinder magnification
  • $899
  • APS-C
  • Tilt-swivel screen
  • Touchscreen
Sony A7 II
Samsung NX30
  • $1148
  • 35mm
  • Lens selection
  • Larger sensor
  • $899
  • APS-C
  • Tilt-swivel screen
  • Touchscreen

Compared to Fujifilm X-T10

Fujifilm X-T1
Fujifilm X-T10
  • $1099
  • APS-C
  • More viewfinder magnification
  • Bigger JPEG buffer
  • $1099
  • APS-C
  • Less expensive
  • Internal flash
Sony A7 II
Fujifilm X-T10
  • $1148
  • 35mm
  • Larger sensor
  • In-Camera Image Stabilization
  • $1099
  • APS-C
  • Less expensive
  • More telephoto lens reach

Compared to Sony A7 III

Fujifilm X-T1
Sony A7 III
  • $1099
  • APS-C
  • In-camera panoramas
  • More telephoto lens reach
  • $1531
  • 35mm
  • Larger sensor
  • In-Camera Image Stabilization
Sony A7 II
Sony A7 III
  • $1148
  • 35mm
  • In-camera panoramas
  • $1531
  • 35mm
  • Shoot 4K video
  • Touchscreen
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