• APS-C 366.6mm2
  • 24.1 megapixels
  • ISO 100 - 6400
  • 1/2.3 inch 28.1mm2
  • 20.4 megapixels
  • 24.00mm - 1200.00mm (35mm eq.)

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Differences

Nikon D5200 advantages over Sony HX300

  • Tilt-swivel screen
    Tilt-swivel vs tilt-only
    Tilt and swivel the screen for maximum shooting flexibility
  • Larger sensor
    APS-C vs 1/2.3 inch
    More sensor area. Bigger is (generally) better.
  • Bigger pixels
    ~ 3.92 vs 1.19 microns
    Better low-light and dynamic range (all else equal)
  • RAW file ability
    Yes vs No
    Gives you more flexibility to develop your photos later
  • Fast startup
    ~0.50 vs 2.4 sec
    Faster startup lets you catch the moment
  • Longer stills battery life
    More info 500 vs 310 shots
    Capture more photos
  • Thinner
    78 mm vs 103 mm
    Thinner
  • External Mic Jack
    Jack vs No jack
    Improved sound fidelity when shooting video
  • Shoots 24p video
    Yes vs No
    Gives your movies a big-screen feel
  • Hot shoe
    Hot shoe vs None
    Off-camera flashes open new possibilities
  • More pixels
    24.1 vs 20.4 megapixels
    Higher resolution photos
  • Bulb shutter
    Bulb vs No bulb
    Hold the shutter open manually for long exposures
  • Bigger JPEG buffer
    Unlimited vs 10 shots
    Take more JPEG shots before waiting (burst mode)
  • Higher extended ISO
    25600 vs 12800 ISO
    Higher extended ISO can give more low-light flexibility

Sony HX300 advantages over Nikon D5200

  • Focus peaking
    Peaker vs Non-peaker
    Your camera will highlight what's in focus
  • In-Camera Image Stabilization
    Yes vs No
    Reduces the effects of camera shake at slower shutter speeds
  • Faster JPEG shooting
    10.0 fps vs 4.9 fps
    Faster JPEG shooting (burst mode)

Similarities

Common Strengths

  • Rear display
    Both provide
    Review photos on the back of the camera
  • Eye-level viewfinder
    Both provide
    You'll be able to frame photos even when the sun is out
  • Internal flash
    Both provide
    Useful in a pinch for fill flash
  • Manual focus
    Both provide
    AF is for the weak. Real photographers focus manually.
  • HDMI out
    Both provide
    Use HDMI output to monitor or review video

Common Weaknesses

  • Touchscreen
    Neither provide
    Interact with your camera just like your smartphone
  • In-camera panoramas
    Neither provide
    Stitches multiple shots into a panoramic photo
  • Built-in Wi-Fi
    Neither provide
    Share your photos wirelessly
  • NFC
    Neither provide
    Simplifies pairing your camera with supported phones
  • Built-in Bluetooth
    Neither provide
    Always-on wireless connectivity
  • Built-in GPS
    Neither provide
    Geotag your photos
  • On-sensor phase detect
    Neither provide
    Usually improves live view and video AF performance
  • Integrated ND filter
    Neither provide
    Shoot in daylight with a large aperture or slow shutter
  • Dual card slots
    Neither provide
    Gives you more storage flexibility
  • Headphone jack
    Neither provide
    Monitor audio recording while you shoot video
  • Slow-motion videos
    Neither provide
    Shoot slow-motion videos

User reviews

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Your purchases support this site

Buy the Nikon D5200

Review Excerpt

  • Captures sharp, detailed photos with its new 24.1-megapixel CMOS sensor, even at higher ISOs; Features a familiar (D5100) but refined body design; Records Full HD video with full-time autofocus tracking; Packs a ton of advanced features into a consumer-friendly body at a great price.

  • Autofocuses a little slowly for its class and struggles at times in low light; Changing some basic settings takes more time and effort than it should; Mediocre kit lens.

  • Super-versatile 50x optical zoom lens helps you capture everything from wide-angle cityscapes to zoomed in portraits from what feels like a mile away; Still quite light and portable considering the powerful lens; Comfortable and ergonomic design; Full HD video recording at up to 60p, with good quality.

  • Relatively small, 1/2.3-inch CMOS sensor delivers average image quality that degrades quickly at high sensitivities; Images not as sharp or as bright at full telephoto as we had hoped; Slow camera to use overall.

The Competition

Compared to Sony A65

Nikon D5200
Sony A65
  • $590
  • APS-C
  • Lens selection
  • Fast startup
  • $798
  • APS-C
  • Focus peaking
  • In-Camera Image Stabilization
Sony HX300
Sony A65
  • $600
  • 1/2.3 inch
  • Less expensive
  • $798
  • APS-C
  • Tilt-swivel screen
  • Larger sensor

Compared to Nikon D3200

Nikon D5200
Nikon D3200
  • $590
  • APS-C
  • Tilt-swivel screen
  • Higher effective ISO
  • $477
  • APS-C
  • Less expensive
  • Bigger RAW buffer
Sony HX300
Nikon D3200
  • $600
  • 1/2.3 inch
  • Focus peaking
  • In-Camera Image Stabilization
  • $477
  • APS-C
  • Larger sensor
  • Bigger pixels

Compared to Fujifilm SL1000

Nikon D5200
Fujifilm SL1000
  • $590
  • APS-C
  • Larger sensor
  • Tilt-swivel screen
  • $650
  • 1/2.3 inch
  • In-Camera Image Stabilization
  • Faster JPEG shooting
Sony HX300
Fujifilm SL1000
  • $600
  • 1/2.3 inch
  • Focus peaking
  • More pixels
  • $650
  • 1/2.3 inch
  • Less expensive
  • RAW file ability

Compared to Sony A58

Nikon D5200
Sony A58
  • $590
  • APS-C
  • Lens selection
  • Tilt-swivel screen
  • $598
  • APS-C
  • Focus peaking
  • In-Camera Image Stabilization
Sony HX300
Sony A58
  • $600
  • 1/2.3 inch
  • Less expensive
  • Higher-res screen
  • $598
  • APS-C
  • Larger sensor
  • Bigger pixels

Compared to Sony HX400V

Nikon D5200
Sony HX400V
  • $590
  • APS-C
  • Tilt-swivel screen
  • Larger sensor
  • $448
  • 1/2.3 inch
  • Less expensive
  • In-Camera Image Stabilization
Sony HX300
Sony HX400V
  • $600
  • 1/2.3 inch
  • Focus peaking
  • $448
  • 1/2.3 inch
  • In-camera panoramas
  • Built-in Wi-Fi
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