Color depth refers to the number of unique colors that a sensor can faithfully capture. Cameras with better color depth will demonstrate smoother transitions from one color to the next, and avoid "banding" in areas with subtle shading. (Blue skies are an example of where you might see color banding.)
More color depth is generally better, but you'll struggle to notice a difference between two cameras with less than 1 bit of difference. Color depth above 22 bits is considered excellent.
Want to learn more? Head over to our full glossary entry on color depth
Color depth test data courtesy of DxO Mark.
K-5 IIs test data on DxO Mark P7700 test data on DxO MarkMaximum effective ISO is an estimate of the highest sensitivity at which a camera can capture excellent quality photos.
Cameras with higher effective ISO will be better choices for indoor photography, night shooting, and indoor sports photography, especially if you intend to make large prints.
You can learn more at our glossary entry.
Maximum effective ISO test data courtesy of DxO Mark.
K-5 IIs test data on DxO Mark P7700 test data on DxO MarkCameras with more dynamic range allow you to take photos with dramatic differences in highlight and shadow areas while retaining detail in both.
Think of a brilliant sunset on a rocky beach: Bright sunset in the background, with dark rocks in the foreground. High dynamic range means more of the extremes will be faithfully reproduced.
Dynamic range test data courtesy of DxO Mark.
K-5 IIs test data on DxO Mark P7700 test data on DxO MarkCameras with longer battery life can take more photos before exhausting their batteries.
Special note: The measurement standard for battery life stipulates that if a camera has an internal flash, it must be used for 50% of photos taken. For this reason, comparisons of one camera with an internal flash to another without will not be comparable
Much improved, sleeker camera design doesn't mimic the competition; Sharp 3-inch vari-angle LCD screen swivels to the side, letting you compose shots from difficult angles; Brighter lens performs better in low light; Fast burst mode; Full HD movies.
Some photographers will miss having an optical viewfinder; Slower autofocus and single-shot cycle times when capturing RAW images; Shallow buffer; No one-touch video button.
Noticeably better sharpness than standard K-5 II; Compact yet control-rich body packs in the features; Updated autofocus system focuses in near-darkness; Fully weather-sealed; Very good dynamic range; In-body image stabilization; Dual-axis level with horizon correction.
Prone to moire, aliasing, and false color artifacts; Can seem intimidating at first; Fewer autofocus points than competitors; Doesn't take advantage of high-speed UHS-I flash cards; Movie feature set is very dated and file sizes huge.
