• 4/3 224.9mm2
  • 16.1 megapixels
  • ISO 200 - 25,600
  • 35mm 861.6mm2
  • 26.2 megapixels
  • ISO 100 - 40,000

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Differences

Olympus E-M5 II advantages over Canon 6D Mark II

  • Less expensive
    $899* vs $1599
    Save money for lenses or accessories
  • Focus peaking
    Peaker vs Non-peaker
    Your camera will highlight what's in focus
  • In-Camera Image Stabilization
    Yes vs No
    Reduces the effects of camera shake at slower shutter speeds
  • High resolution composite
    Yes vs No
    Combine multiple shots to form a super hi-res version
  • Thinner
    44 mm vs 74 mm
    Thinner
  • Lacks anti-aliasing filter
    No Filter vs Filter
    Enjoy sharper photos
  • Longer exposure
    60 vs 30 sec
    Long exposures for night shots
  • Faster JPEG shooting
    10.4 fps vs 6.5 fps
    Faster JPEG shooting (burst mode)
  • Faster RAW shooting
    10.4 fps vs 6.5 fps
    Faster RAW shooting in burst mode
  • Faster shutter
    1/16000 vs 1/4000 sec
    Shoot wide open in bright light

Canon 6D Mark II advantages over Olympus E-M5 II

  • Larger sensor
    35mm vs 4/3
    More sensor area. Bigger is (generally) better.
  • Bigger pixels
    ~ 5.67 vs 3.75 microns
    Better low-light and dynamic range (all else equal)
  • Fast startup
    ~0.50 vs 0.8 sec
    Faster startup lets you catch the moment
  • NFC
    Yes vs No
    Simplifies pairing your camera with supported phones
  • Built-in Bluetooth
    Yes vs No
    Always-on wireless connectivity
  • Higher effective ISO
    2,862 vs 908 iso
    Take photos in low light with less noise
  • Built-in GPS
    GPS vs None
    Geotag your photos
  • On-sensor phase detect
    Yes vs No
    Usually improves live view and video AF performance
  • Longer stills battery life
    More info 1200 vs 310 shots
    Capture more photos
  • Top deck display
    Yes vs No
    Check settings with a screen on top of the camera
  • More pixels
    26.2 vs 16.1 megapixels
    Higher resolution photos
  • Has anti-aliasing filter
    Filter vs No Filter
    Reduces unsightly moiré in photos
  • Bigger JPEG buffer
    98 vs 18 shots
    Take more JPEG shots before waiting (burst mode)
  • Bigger RAW buffer
    20 vs 13 shots
    Larger buffer for RAW shots (burst mode)
  • Higher extended ISO
    102400 vs 25600 ISO
    Higher extended ISO can give more low-light flexibility

Similarities

Common Strengths

  • Tilt-swivel screen
    Both provide
    Tilt and swivel the screen for maximum shooting flexibility
  • Eye-level viewfinder
    Both provide
    You'll be able to frame photos even when the sun is out
  • Touchscreen
    Both provide
    Interact with your camera just like your smartphone
  • Built-in Wi-Fi
    Both provide
    Share your photos wirelessly
  • External Mic Jack
    Both provide
    Improved sound fidelity when shooting video
  • HDMI out
    Both provide
    Use HDMI output to monitor or review video
  • Hot shoe
    Both provide
    Off-camera flashes open new possibilities
  • Bulb shutter
    Both provide
    Hold the shutter open manually for long exposures

Common Weaknesses

  • In-camera panoramas
    Neither provide
    Stitches multiple shots into a panoramic photo
  • Internal flash
    Neither provide
    Useful in a pinch for fill flash
  • Dual card slots
    Neither provide
    Gives you more storage flexibility
  • Headphone jack
    Neither provide
    Monitor audio recording while you shoot video
  • Slow-motion videos
    Neither provide
    Shoot slow-motion videos

User reviews

Buy From

Your purchases support this site

Buy the Canon 6D Mark II

Review Excerpt

  • Excellent handling in a compact, weather-sealed body; Crisp, roomy electronic viewfinder; Image quality that can take the fight to APS-C DSLRs; Unique high-res mode lets it bat far above its weight for static scenes; Extremely fast 10 fps burst shooting, Excellent video feature set

  • Control dials are easily bumped; Below-average battery life at default settings; Buffer depths for raw shooters are a bit limited; 16-megapixel sensor resolution feels dated; Weak bundled flash strobe

  • Great vari-angle touchscreen; Dual Pixel CMOS AF; Good image quality in most situations; Impressive performance for its class.

  • Disappointing dynamic range; No 4K video; Optical viewfinder comes up short; Narrow AF point coverage through viewfinder.

The Competition

Compared to Panasonic GX7

Olympus E-M5 II
Panasonic GX7
  • $899
  • 4/3
  • Tilt-swivel screen
  • High resolution composite
  • $648
  • 4/3
  • In-camera panoramas
  • Internal flash
Canon 6D Mark II
Panasonic GX7
  • $1332
  • 35mm
  • Larger sensor
  • Tilt-swivel screen
  • $648
  • 4/3
  • Focus peaking
  • In-Camera Image Stabilization

Compared to Nikon D610

Olympus E-M5 II
Nikon D610
  • $899
  • 4/3
  • Focus peaking
  • Less expensive
  • $1198
  • 35mm
  • Larger sensor
  • Bigger pixels
Canon 6D Mark II
Nikon D610
  • $1332
  • 35mm
  • Less expensive
  • Tilt-swivel screen
  • $1198
  • 35mm
  • Fast startup
  • More dynamic range

Compared to Nikon D750

Olympus E-M5 II
Nikon D750
  • $899
  • 4/3
  • Less expensive
  • Tilt-swivel screen
  • $1698
  • 35mm
  • Larger sensor
  • Bigger pixels
Canon 6D Mark II
Nikon D750
  • $1332
  • 35mm
  • Less expensive
  • Tilt-swivel screen
  • $1698
  • 35mm
  • More dynamic range
  • Internal flash

Compared to Panasonic GX8

Olympus E-M5 II
Panasonic GX8
  • $899
  • 4/3
  • High resolution composite
  • Fast startup
  • $998
  • 4/3
  • Shoot 4K video
  • In-camera panoramas
Canon 6D Mark II
Panasonic GX8
  • $1332
  • 35mm
  • Larger sensor
  • Bigger pixels
  • $998
  • 4/3
  • Focus peaking
  • Less expensive

Compared to Panasonic GX85

Olympus E-M5 II
Panasonic GX85
  • $899
  • 4/3
  • Tilt-swivel screen
  • High resolution composite
  • $598
  • 4/3
  • Less expensive
  • Shoot 4K video
Canon 6D Mark II
Panasonic GX85
  • $1332
  • 35mm
  • Larger sensor
  • Tilt-swivel screen
  • $598
  • 4/3
  • Focus peaking
  • Less expensive
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