• 1/2.33 inch 28.2mm2
  • 12.1 megapixels
  • 29.00mm - 145.00mm (35mm eq.)
  • 35mm 861.6mm2
  • 26.2 megapixels
  • ISO 100 - 40,000

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Differences

Panasonic DMC-FS25S advantages over Canon 6D Mark II

  • In-Camera Image Stabilization
    Yes vs No
    Reduces the effects of camera shake at slower shutter speeds
  • Internal flash
    Internal flash vs None
    Useful in a pinch for fill flash
  • Thinner
    21 mm vs 74 mm
    Thinner
  • Longer exposure
    60 vs 30 sec
    Long exposures for night shots

Canon 6D Mark II advantages over Panasonic DMC-FS25S

  • Larger sensor
    35mm vs 1/2.33 inch
    More sensor area. Bigger is (generally) better.
  • Tilt-swivel screen
    Tilt-swivel vs none
    Tilt and swivel the screen for maximum shooting flexibility
  • Eye-level viewfinder
    Eye-level vs Rear display only
    You'll be able to frame photos even when the sun is out
  • Bigger pixels
    ~ 5.67 vs 1.53 microns
    Better low-light and dynamic range (all else equal)
  • Touchscreen
    Touch vs No touch
    Interact with your camera just like your smartphone
  • RAW file ability
    Yes vs No
    Gives you more flexibility to develop your photos later
  • Fast startup
    ~0.50 vs 2.2 sec
    Faster startup lets you catch the moment
  • Built-in Wi-Fi
    Wi-Fi vs None
    Share your photos wirelessly
  • NFC
    Yes vs No
    Simplifies pairing your camera with supported phones
  • Built-in Bluetooth
    Yes vs No
    Always-on wireless connectivity
  • Built-in GPS
    GPS vs None
    Geotag your photos
  • On-sensor phase detect
    Yes vs No
    Usually improves live view and video AF performance
  • Longer stills battery life
    More info 1200 vs 330 shots
    Capture more photos
  • Manual focus
    Yes vs No
    AF is for the weak. Real photographers focus manually.
  • External Mic Jack
    Jack vs No jack
    Improved sound fidelity when shooting video
  • Newer
    7 years vs 16 years old
    Newer cameras often support more advanced features
  • HDMI out
    HDMI out vs None
    Use HDMI output to monitor or review video
  • Shoots 24p video
    Yes vs No
    Gives your movies a big-screen feel
  • More dots on screen
    1040k vs 230k dots
    Can mean greater resolution or a brighter screen
  • Hot shoe
    Hot shoe vs None
    Off-camera flashes open new possibilities
  • Shoots 1080p video
    Yes vs No
    You'll want this if you shoot video
  • Less shutter lag
    0.17 vs 0.90 sec
    Focus and take a photo quickly (wide angle)
  • More pixels
    26.2 vs 12.1 megapixels
    Higher resolution photos
  • Shoots 60p video
    Yes vs No
    A faster framerate can give you more editing options
  • Bulb shutter
    Bulb vs No bulb
    Hold the shutter open manually for long exposures
  • Faster JPEG shooting
    6.5 fps vs 1.7 fps
    Faster JPEG shooting (burst mode)
  • Bigger JPEG buffer
    98 vs 3 shots
    Take more JPEG shots before waiting (burst mode)
  • Faster shutter
    1/4000 vs 1/2000 sec
    Shoot wide open in bright light
  • Higher extended ISO
    102400 vs 6400 ISO
    Higher extended ISO can give more low-light flexibility

Similarities

Common Strengths

  • Rear display
    Both provide
    Review photos on the back of the camera

Common Weaknesses

  • Focus peaking
    Neither provide
    Your camera will highlight what's in focus
  • In-camera panoramas
    Neither provide
    Stitches multiple shots into a panoramic photo
  • Integrated ND filter
    Neither provide
    Shoot in daylight with a large aperture or slow shutter
  • Dual card slots
    Neither provide
    Gives you more storage flexibility
  • Headphone jack
    Neither provide
    Monitor audio recording while you shoot video
  • Slow-motion videos
    Neither provide
    Shoot slow-motion videos

User reviews

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Your purchases support this site

Your purchases support this site

Buy the Canon 6D Mark II

Review Excerpt

  • Great vari-angle touchscreen; Dual Pixel CMOS AF; Good image quality in most situations; Impressive performance for its class.

  • Disappointing dynamic range; No 4K video; Optical viewfinder comes up short; Narrow AF point coverage through viewfinder.

The Competition

Compared to Panasonic DMC-FS15

Panasonic DMC-FS25S
Panasonic DMC-FS15
  • $175
  • 1/2.33 inch
  • $200
  • 1/2.33 inch
  • Less expensive
Canon 6D Mark II
Panasonic DMC-FS15
  • $1332
  • 35mm
  • Larger sensor
  • Tilt-swivel screen
  • $200
  • 1/2.33 inch
  • In-Camera Image Stabilization
  • Internal flash

Compared to Sony DSC-W290

Panasonic DMC-FS25S
Sony DSC-W290
  • $175
  • 1/2.33 inch
  • Longer exposure
  • Higher extended ISO
  • $249
  • 1/2.3 inch
  • Manual focus
  • Bigger JPEG buffer
Canon 6D Mark II
Sony DSC-W290
  • $1332
  • 35mm
  • Tilt-swivel screen
  • Larger sensor
  • $249
  • 1/2.3 inch
  • In-Camera Image Stabilization
  • Internal flash

Compared to Samsung SL820

Panasonic DMC-FS25S
Samsung SL820
  • $175
  • 1/2.33 inch
  • Longer exposure
  • Higher extended ISO
  • $199
  • 1/2.3 inch
  • HDMI out
  • Shoots 60p video
Canon 6D Mark II
Samsung SL820
  • $1332
  • 35mm
  • Larger sensor
  • Tilt-swivel screen
  • $199
  • 1/2.3 inch
  • In-Camera Image Stabilization
  • Internal flash

Compared to Nikon D610

Panasonic DMC-FS25S
Nikon D610
  • $175
  • 1/2.33 inch
  • In-Camera Image Stabilization
  • Thinner
  • $1201
  • 35mm
  • Larger sensor
  • Eye-level viewfinder
Canon 6D Mark II
Nikon D610
  • $1332
  • 35mm
  • Less expensive
  • Tilt-swivel screen
  • $1201
  • 35mm
  • Fast startup
  • More dynamic range

Compared to Nikon D750

Panasonic DMC-FS25S
Nikon D750
  • $175
  • 1/2.33 inch
  • In-Camera Image Stabilization
  • Thinner
  • $1700
  • 35mm
  • Larger sensor
  • Eye-level viewfinder
Canon 6D Mark II
Nikon D750
  • $1332
  • 35mm
  • Less expensive
  • Tilt-swivel screen
  • $1700
  • 35mm
  • More dynamic range
  • Internal flash
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