• 1/2.33 inch 28.2mm2
  • 14.1 megapixels
  • 28.00mm - 112.00mm (35mm eq.)
  • APS-C 369.7mm2
  • 16.3 megapixels
  • ISO 100 - 12,800

Buy From

Differences

Panasonic DMC-S3 advantages over Pentax K-5 IIs

  • Less expensive
    $130 vs $1200 (MSRP)
    Save money for lenses or accessories
  • Thinner
    20 mm vs 73 mm
    Thinner
  • Lighter weight
    117g vs 740g
    Lighter weight
  • Bigger JPEG buffer
    Unlimited vs 28 shots
    Take more JPEG shots before waiting (burst mode)

Pentax K-5 IIs advantages over Panasonic DMC-S3

  • Larger sensor
    APS-C vs 1/2.33 inch
    More sensor area. Bigger is (generally) better.
  • Eye-level viewfinder
    Eye-level vs Rear display only
    You'll be able to frame photos even when the sun is out
  • Bigger pixels
    ~ 4.81 vs 1.42 microns
    Better low-light and dynamic range (all else equal)
  • RAW file ability
    Yes vs No
    Gives you more flexibility to develop your photos later
  • Longer stills battery life
    More info 740 vs 250 shots
    Capture more photos
  • External Mic Jack
    Jack vs No jack
    Improved sound fidelity when shooting video
  • HDMI out
    HDMI out vs None
    Use HDMI output to monitor or review video
  • More dots on screen
    921k vs 230k dots
    Can mean greater resolution or a brighter screen
  • Hot shoe
    Hot shoe vs None
    Off-camera flashes open new possibilities
  • Shoots 1080p video
    Yes vs No
    You'll want this if you shoot video
  • More pixels
    16.3 vs 14.1 megapixels
    Higher resolution photos
  • Longer exposure
    30 vs 8 sec
    Long exposures for night shots
  • Bulb shutter
    Bulb vs No bulb
    Hold the shutter open manually for long exposures
  • Faster JPEG shooting
    6.7 fps vs 2.0 fps
    Faster JPEG shooting (burst mode)
  • Faster shutter
    1/8000 vs 1/1600 sec
    Shoot wide open in bright light
  • Higher extended ISO
    51200 vs 6400 ISO
    Higher extended ISO can give more low-light flexibility

Similarities

Common Strengths

  • Rear display
    Both provide
    Review photos on the back of the camera
  • In-Camera Image Stabilization
    Both provide
    Reduces the effects of camera shake at slower shutter speeds
  • Internal flash
    Both provide
    Useful in a pinch for fill flash
  • Manual focus
    Both provide
    AF is for the weak. Real photographers focus manually.

Common Weaknesses

  • Focus peaking
    Neither provide
    Your camera will highlight what's in focus
  • Tilt-swivel screen
    Neither provide
    Tilt and swivel the screen for maximum shooting flexibility
  • Touchscreen
    Neither provide
    Interact with your camera just like your smartphone
  • In-camera panoramas
    Neither provide
    Stitches multiple shots into a panoramic photo
  • Tiltable Screen
    Neither provide
    Tilt the screen for shooting flexbility
  • Built-in Wi-Fi
    Neither provide
    Share your photos wirelessly
  • NFC
    Neither provide
    Simplifies pairing your camera with supported phones
  • Built-in Bluetooth
    Neither provide
    Always-on wireless connectivity
  • Built-in GPS
    Neither provide
    Geotag your photos
  • On-sensor phase detect
    Neither provide
    Usually improves live view and video AF performance
  • Integrated ND filter
    Neither provide
    Shoot in daylight with a large aperture or slow shutter
  • Dual card slots
    Neither provide
    Gives you more storage flexibility
  • Headphone jack
    Neither provide
    Monitor audio recording while you shoot video
  • Slow-motion videos
    Neither provide
    Shoot slow-motion videos

User reviews

Buy From

Review Excerpt

  • Noticeably better sharpness than standard K-5 II; Compact yet control-rich body packs in the features; Updated autofocus system focuses in near-darkness; Fully weather-sealed; Very good dynamic range; In-body image stabilization; Dual-axis level with horizon correction.

  • Prone to moire, aliasing, and false color artifacts; Can seem intimidating at first; Fewer autofocus points than competitors; Doesn't take advantage of high-speed UHS-I flash cards; Movie feature set is very dated and file sizes huge.

The Competition

Compared to Panasonic DMC-S1

Panasonic DMC-S3
Panasonic DMC-S1
  • $130
  • 1/2.33 inch
  • More pixels
  • $120
  • 1/2.33 inch
Pentax K-5 IIs
Panasonic DMC-S1
  • $497
  • APS-C
  • Larger sensor
  • Eye-level viewfinder
  • $120
  • 1/2.33 inch
  • Less expensive
  • Thinner

Compared to Fujifilm JV200

Panasonic DMC-S3
Fujifilm JV200
  • $130
  • 1/2.33 inch
  • In-Camera Image Stabilization
  • Longer stills battery life
  • $110
  • 1/2.3 inch
  • Less expensive
Pentax K-5 IIs
Fujifilm JV200
  • $497
  • APS-C
  • Larger sensor
  • Eye-level viewfinder
  • $110
  • 1/2.3 inch
  • Less expensive
  • Thinner

Compared to Pentax RS1500

Panasonic DMC-S3
Pentax RS1500
  • $130
  • 1/2.33 inch
  • Less expensive
  • Manual focus
  • $90
  • 1/2.3 inch
Pentax K-5 IIs
Pentax RS1500
  • $497
  • APS-C
  • Larger sensor
  • Eye-level viewfinder
  • $90
  • 1/2.3 inch
  • Less expensive
  • Thinner

Compared to Sony A35

Panasonic DMC-S3
Sony A35
  • $130
  • 1/2.33 inch
  • Less expensive
  • Thinner
  • $567
  • APS-C
  • Larger sensor
  • Eye-level viewfinder
Pentax K-5 IIs
Sony A35
  • $497
  • APS-C
  • Lens selection
  • Fast startup
  • $567
  • APS-C
  • Less expensive
  • In-camera panoramas

Compared to Sony A37

Panasonic DMC-S3
Sony A37
  • $130
  • 1/2.33 inch
  • Less expensive
  • Thinner
  • $600
  • APS-C
  • Focus peaking
  • Larger sensor
Pentax K-5 IIs
Sony A37
  • $497
  • APS-C
  • Lens selection
  • Fast startup
  • $600
  • APS-C
  • Less expensive
  • Focus peaking
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