- 1/2.3 inch 28.1mm2
- 12.1 megapixels
- 25.00mm - 600.00mm (35mm eq.)
- Go in depth with our full Panasonic FZ200 Review.
- See real-world photos taken with the FZ200.
Color depth refers to the number of unique colors that a sensor can faithfully capture. Cameras with better color depth will demonstrate smoother transitions from one color to the next, and avoid "banding" in areas with subtle shading. (Blue skies are an example of where you might see color banding.)
More color depth is generally better, but you'll struggle to notice a difference between two cameras with less than 1 bit of difference. Color depth above 22 bits is considered excellent.
Want to learn more? Head over to our full glossary entry on color depth
Color depth test data courtesy of DxO Mark.
A68 test data on DxO Mark FZ200 test data on DxO MarkMaximum effective ISO is an estimate of the highest sensitivity at which a camera can capture excellent quality photos.
Cameras with higher effective ISO will be better choices for indoor photography, night shooting, and indoor sports photography, especially if you intend to make large prints.
You can learn more at our glossary entry.
Maximum effective ISO test data courtesy of DxO Mark.
A68 test data on DxO Mark FZ200 test data on DxO MarkCameras with more dynamic range allow you to take photos with dramatic differences in highlight and shadow areas while retaining detail in both.
Think of a brilliant sunset on a rocky beach: Bright sunset in the background, with dark rocks in the foreground. High dynamic range means more of the extremes will be faithfully reproduced.
Dynamic range test data courtesy of DxO Mark.
A68 test data on DxO Mark FZ200 test data on DxO MarkMax aperture f/2.8 across full 24x optical zoom range of Leica DC Vario-Elmarit-branded lens; Relatively sharp and detailed images for a superzoom camera; Full-res burst shooting at 12 frames per second; Advanced photographic capabilities (manual focusing/exposure controls, RAW image capture, etc.); Full HD video recording up to 60p.
Control scheme and menu layout frustrating to use, especially the over-reliance on the rear dial; Higher ISOs produce smudged and blurred images as noise reduction efforts increase; Tendency to clip highlights; EVF doesn't switch on automatically when you look through it.
