• APS-C 369.7mm2
  • 16.3 megapixels
  • ISO 100 - 12,800
  • APS-C 366.6mm2
  • 24.2 megapixels
  • 28.00mm (35mm eq.)

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Differences

Pentax K-5 II advantages over Ricoh GR III

  • Eye-level viewfinder
    Eye-level vs Rear display only
    You'll be able to frame photos even when the sun is out
  • Bigger pixels
    ~ 4.81 vs 3.92 microns
    Better low-light and dynamic range (all else equal)
  • Longer stills battery life
    More info 740 vs 200 shots
    Capture more photos
  • Internal flash
    Internal flash vs None
    Useful in a pinch for fill flash
  • Top deck display
    Yes vs No
    Check settings with a screen on top of the camera
  • External Mic Jack
    Jack vs No jack
    Improved sound fidelity when shooting video
  • HDMI out
    HDMI out vs None
    Use HDMI output to monitor or review video
  • Faster JPEG shooting
    6.7 fps vs 4.3 fps
    Faster JPEG shooting (burst mode)
  • Faster RAW shooting
    6.7 fps vs 4.1 fps
    Faster RAW shooting in burst mode
  • Bigger RAW buffer
    22 vs 9 shots
    Larger buffer for RAW shots (burst mode)
  • Faster shutter
    1/8000 vs 1/4000 sec
    Shoot wide open in bright light

Ricoh GR III advantages over Pentax K-5 II

  • Touchscreen
    Touch vs No touch
    Interact with your camera just like your smartphone
  • Built-in Wi-Fi
    Wi-Fi vs None
    Share your photos wirelessly
  • Built-in Bluetooth
    Yes vs No
    Always-on wireless connectivity
  • On-sensor phase detect
    Yes vs No
    Usually improves live view and video AF performance
  • Integrated ND filter
    Yes vs No
    Shoot in daylight with a large aperture or slow shutter
  • Thinner
    33 mm vs 73 mm
    Thinner
  • Newer
    6 years vs 12 years old
    Newer cameras often support more advanced features
  • Shoots 24p video
    Yes vs No
    Gives your movies a big-screen feel
  • More pixels
    24.2 vs 16.3 megapixels
    Higher resolution photos
  • Shoots 60p video
    Yes vs No
    A faster framerate can give you more editing options
  • Optional anti-aliasing filter
    Optional vs Fixed
    Lets you choose sharper photos or reduced moiré
  • Longer exposure
    1200 vs 30 sec
    Long exposures for night shots
  • Bigger JPEG buffer
    Unlimited vs 28 shots
    Take more JPEG shots before waiting (burst mode)
  • Higher extended ISO
    102400 vs 51200 ISO
    Higher extended ISO can give more low-light flexibility

Similarities

Common Strengths

  • Rear display
    Both provide
    Review photos on the back of the camera
  • In-Camera Image Stabilization
    Both provide
    Reduces the effects of camera shake at slower shutter speeds
  • RAW file ability
    Both provide
    Gives you more flexibility to develop your photos later
  • Manual focus
    Both provide
    AF is for the weak. Real photographers focus manually.
  • Hot shoe
    Both provide
    Off-camera flashes open new possibilities
  • Bulb shutter
    Both provide
    Hold the shutter open manually for long exposures

Common Weaknesses

  • Focus peaking
    Neither provide
    Your camera will highlight what's in focus
  • Tilt-swivel screen
    Neither provide
    Tilt and swivel the screen for maximum shooting flexibility
  • In-camera panoramas
    Neither provide
    Stitches multiple shots into a panoramic photo
  • Tiltable Screen
    Neither provide
    Tilt the screen for shooting flexbility
  • NFC
    Neither provide
    Simplifies pairing your camera with supported phones
  • Built-in GPS
    Neither provide
    Geotag your photos
  • Dual card slots
    Neither provide
    Gives you more storage flexibility
  • Headphone jack
    Neither provide
    Monitor audio recording while you shoot video
  • Slow-motion videos
    Neither provide
    Shoot slow-motion videos

User reviews

Buy From

Your purchases support this site

Buy the Pentax K-5 II

Review Excerpt

  • Compact yet control-rich body packs in the features; Updated autofocus system focuses in near-darkness; Fully weather-sealed; Sharp, detailed images with very good dynamic range; In-body image stabilization; Dual-axis level with horizon correction.

  • Can seem intimidating at first; Fewer autofocus points than competitors; Doesn't take advantage of high-speed UHS-I flash cards; Movie feature set is very dated and file sizes huge.

The Competition

Compared to Nikon D7000

Pentax K-5 II
Nikon D7000
  • $699
  • APS-C
  • In-Camera Image Stabilization
  • More telephoto lens reach
  • $699
  • APS-C
  • Fast startup
  • Longer stills battery life
Ricoh GR III
Nikon D7000
  • $971
  • APS-C
  • In-Camera Image Stabilization
  • Touchscreen
  • $699
  • APS-C
  • Eye-level viewfinder
  • Bigger pixels

Compared to Pentax K-5

Pentax K-5 II
Pentax K-5
  • $699
  • APS-C
  • More telephoto lens reach
  • $800
  • APS-C
  • Less shutter lag
Ricoh GR III
Pentax K-5
  • $971
  • APS-C
  • Touchscreen
  • Built-in Wi-Fi
  • $800
  • APS-C
  • Eye-level viewfinder
  • Bigger pixels

Compared to Pentax K-30

Pentax K-5 II
Pentax K-30
  • $699
  • APS-C
  • Fast startup
  • Longer stills battery life
  • $599
  • APS-C
  • Less expensive
  • Focus peaking
Ricoh GR III
Pentax K-30
  • $971
  • APS-C
  • Touchscreen
  • Fast startup
  • $599
  • APS-C
  • Focus peaking
  • Eye-level viewfinder

Compared to Canon T4i

Pentax K-5 II
Canon T4i
  • $699
  • APS-C
  • Larger sensor
  • In-Camera Image Stabilization
  • $579
  • APS-C
  • Tilt-swivel screen
  • Touchscreen
Ricoh GR III
Canon T4i
  • $971
  • APS-C
  • Larger sensor
  • In-Camera Image Stabilization
  • $579
  • APS-C
  • Tilt-swivel screen
  • Eye-level viewfinder

Compared to Canon 70D

Pentax K-5 II
Canon 70D
  • $699
  • APS-C
  • In-Camera Image Stabilization
  • Bigger pixels
  • $1149
  • APS-C
  • Tilt-swivel screen
  • Touchscreen
Ricoh GR III
Canon 70D
  • $971
  • APS-C
  • In-Camera Image Stabilization
  • Built-in Bluetooth
  • $1149
  • APS-C
  • Tilt-swivel screen
  • Eye-level viewfinder
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