• APS-C 369.7mm2
  • 16.3 megapixels
  • ISO 100 - 12,800
  • 4/3 224.9mm2
  • 12.8 megapixels
  • 24.00mm - 75.00mm (35mm eq.)

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Differences

Pentax K-5 IIs advantages over Leica D-LUX (Typ 109)

  • Larger sensor
    APS-C vs 4/3
    More sensor area. Bigger is (generally) better.
  • Bigger pixels
    ~ 4.81 vs 3.86 microns
    Better low-light and dynamic range (all else equal)
  • Internal flash
    Internal flash vs None
    Useful in a pinch for fill flash
  • External Mic Jack
    Jack vs No jack
    Improved sound fidelity when shooting video
  • More pixels
    16.3 vs 12.8 megapixels
    Higher resolution photos
  • Lacks anti-aliasing filter
    No Filter vs Filter
    Enjoy sharper photos
  • Higher extended ISO
    51200 vs 25000 ISO
    Higher extended ISO can give more low-light flexibility

Leica D-LUX (Typ 109) advantages over Pentax K-5 IIs

  • Focus peaking
    Peaker vs Non-peaker
    Your camera will highlight what's in focus
  • Shoot 4K video
    4K (UHD) vs 1080p
    Make sure you have a fast computer
  • In-camera panoramas
    Yes vs No
    Stitches multiple shots into a panoramic photo
  • Built-in Wi-Fi
    Wi-Fi vs None
    Share your photos wirelessly
  • Thinner
    55 mm vs 73 mm
    Thinner
  • Shoots 24p video
    Yes vs No
    Gives your movies a big-screen feel
  • Lighter weight
    405g vs 740g
    Lighter weight
  • More viewfinder magnification
    0.70x vs 0.61x
    Get a bigger view of the scene through the eye-level viewfinder
  • Shoots 60p video
    Yes vs No
    A faster framerate can give you more editing options
  • Has anti-aliasing filter
    Filter vs No Filter
    Reduces unsightly moiré in photos
  • Longer exposure
    60 vs 30 sec
    Long exposures for night shots
  • Faster shutter
    1/16000 vs 1/8000 sec
    Shoot wide open in bright light

Similarities

Common Strengths

  • Rear display
    Both provide
    Review photos on the back of the camera
  • Eye-level viewfinder
    Both provide
    You'll be able to frame photos even when the sun is out
  • In-Camera Image Stabilization
    Both provide
    Reduces the effects of camera shake at slower shutter speeds
  • RAW file ability
    Both provide
    Gives you more flexibility to develop your photos later
  • Manual focus
    Both provide
    AF is for the weak. Real photographers focus manually.
  • HDMI out
    Both provide
    Use HDMI output to monitor or review video
  • Hot shoe
    Both provide
    Off-camera flashes open new possibilities
  • Bulb shutter
    Both provide
    Hold the shutter open manually for long exposures

Common Weaknesses

  • Tilt-swivel screen
    Neither provide
    Tilt and swivel the screen for maximum shooting flexibility
  • Touchscreen
    Neither provide
    Interact with your camera just like your smartphone
  • Tiltable Screen
    Neither provide
    Tilt the screen for shooting flexbility
  • Built-in Bluetooth
    Neither provide
    Always-on wireless connectivity
  • Built-in GPS
    Neither provide
    Geotag your photos
  • On-sensor phase detect
    Neither provide
    Usually improves live view and video AF performance
  • Integrated ND filter
    Neither provide
    Shoot in daylight with a large aperture or slow shutter
  • Dual card slots
    Neither provide
    Gives you more storage flexibility
  • Headphone jack
    Neither provide
    Monitor audio recording while you shoot video
  • Slow-motion videos
    Neither provide
    Shoot slow-motion videos

User reviews

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Review Excerpt

  • Noticeably better sharpness than standard K-5 II; Compact yet control-rich body packs in the features; Updated autofocus system focuses in near-darkness; Fully weather-sealed; Very good dynamic range; In-body image stabilization; Dual-axis level with horizon correction.

  • Prone to moire, aliasing, and false color artifacts; Can seem intimidating at first; Fewer autofocus points than competitors; Doesn't take advantage of high-speed UHS-I flash cards; Movie feature set is very dated and file sizes huge.

  • Read our Pentax K-5 IIs Review

The Competition

Compared to Sony A35

Pentax K-5 IIs
Sony A35
  • $497
  • APS-C
  • Lens selection
  • Fast startup
  • $567
  • APS-C
  • Less expensive
  • In-camera panoramas

Compare Pentax K-5 IIs vs Sony A35

Leica D-LUX (Typ 109)
Sony A35
  • $875
  • 4/3
  • Focus peaking
  • Shoot 4K video
  • $567
  • APS-C
  • Larger sensor
  • Bigger pixels

Compare Leica D-LUX (Typ 109) vs Sony A35

Compared to Sony A57

Pentax K-5 IIs
Sony A57
  • $497
  • APS-C
  • Lens selection
  • Higher effective ISO
  • $800
  • APS-C
  • Less expensive
  • Focus peaking

Compare Pentax K-5 IIs vs Sony A57

Leica D-LUX (Typ 109)
Sony A57
  • $875
  • 4/3
  • Shoot 4K video
  • Built-in Wi-Fi
  • $800
  • APS-C
  • Larger sensor
  • Bigger pixels

Compare Leica D-LUX (Typ 109) vs Sony A57

Compared to Sony A37

Pentax K-5 IIs
Sony A37
  • $497
  • APS-C
  • Lens selection
  • Fast startup
  • $600
  • APS-C
  • Less expensive
  • Focus peaking

Compare Pentax K-5 IIs vs Sony A37

Leica D-LUX (Typ 109)
Sony A37
  • $875
  • 4/3
  • Shoot 4K video
  • Built-in Wi-Fi
  • $600
  • APS-C
  • Larger sensor
  • Bigger pixels

Compare Leica D-LUX (Typ 109) vs Sony A37

Compared to Panasonic LX100

Pentax K-5 IIs
Panasonic LX100
  • $497
  • APS-C
  • Larger sensor
  • Bigger pixels
  • $598
  • 4/3
  • Focus peaking
  • Shoot 4K video

Compare Pentax K-5 IIs vs Panasonic LX100

Leica D-LUX (Typ 109)
Panasonic LX100
  • $875
  • 4/3
  • Has anti-aliasing filter
  • $598
  • 4/3
  • Less expensive
  • Lacks anti-aliasing filter

Compare Leica D-LUX (Typ 109) vs Panasonic LX100

Compared to Panasonic LX100 II

Pentax K-5 IIs
Panasonic LX100 II
  • $497
  • APS-C
  • Larger sensor
  • Bigger pixels
  • $898
  • 4/3
  • Focus peaking
  • Shoot 4K video

Compare Pentax K-5 IIs vs Panasonic LX100 II

Leica D-LUX (Typ 109)
Panasonic LX100 II
  • $875
  • 4/3
  • Bigger pixels
  • Has anti-aliasing filter
  • $898
  • 4/3
  • Touchscreen
  • Built-in Bluetooth

Compare Leica D-LUX (Typ 109) vs Panasonic LX100 II

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