Panasonic GH4 -- Image Quality Comparison
A video powerhouse, but a great stills shooter, too
The Panasonic GH4, aims to take the enthusiast and professional video market by storm, but let's not forget it's also a mighty stills camera first and foremost (given that its ergonomics still resemble that classic DSLR-like shape). The Panasonic GH4's got a host of upgrades including a newly designed 16MP Live MOS sensor and a new quad-core Venus Engine 9AHD image processor, to create images with improved dynamic range, high ISO performance and better, more accurate color rendition.
In the section below, we compare the Panasonic GH4's still-image quality against that of the earlier Panasonic GH3, as well as the hot new Sony A6000, the Nikon D7100, and the Olympus E-M1 as well as the video powerhouse Canon 70D.
NOTE: These images are best quality JPEGs straight out of the camera, at default settings including noise reduction and using the camera's actual base ISO (not extended ISO settings). All cameras in this comparison were shot with our very sharp reference lenses.
Panasonic GH4 versus Panasonic GH3 at Base ISO
Panasonic GH4 at ISO 200 |
Panasonic GH3 at ISO 200 |
Panasonic GH4 versus Canon 70D at Base ISO
Panasonic GH4 at ISO 200 |
Canon 70D at ISO 100 |
Panasonic GH4 versus Nikon D7100 at Base ISO
Panasonic GH4 at ISO 200 |
Nikon D7100 at ISO 100 |
Panasonic GH4 versus Olympus E-M1 at Base ISO
Panasonic GH4 at ISO 200 |
Olympus E-M1 at ISO 200 |
Panasonic GH4 versus Sony A6000 at Base ISO
Panasonic GH4 at ISO 200 |
Sony A6000 at ISO 100 |
Most digital SLRs and CSCs will produce an excellent ISO 100 shot, so we like to push them and see what they can do compared to other cameras at ISO 1600, 3200, and 6400. Recent advances in sensor technology have made ISO 1600 look a lot more like ISO 100, but there are still cameras whose quality starts to fall apart at this setting. We also choose 1600 because we like to be able to shoot at least at this level when indoors and at night.
Panasonic GH4 versus Panasonic GH3 at ISO 1600
Panasonic GH4 at ISO 1600 |
Panasonic GH3 at ISO 1600 |
Panasonic GH4 versus Canon 70D at ISO 1600
Panasonic GH4 at ISO 1600 |
Canon 70D at ISO 1600 |
Panasonic GH4 versus Nikon D7100 at ISO 1600
Panasonic GH4 at ISO 1600 |
Nikon D7100 at ISO 1600 |
Panasonic GH4 versus Olympus E-M1 at ISO 1600
Panasonic GH4 at ISO 1600 |
Olympus E-M1 at ISO 1600 |
Panasonic GH4 versus Sony A6000 at ISO 1600
Panasonic GH4 at ISO 1600 |
Sony A6000 at ISO 1600 |
Today's ISO 3200 is yesterday's ISO 1600 (well, almost), so below are the same crops at ISO 3200.
Panasonic GH4 versus Panasonic GH3 at ISO 3200
Panasonic GH4 at ISO 3200 |
Panasonic GH3 at ISO 3200 |
Panasonic GH4 versus Canon 70D at ISO 3200
Panasonic GH4 at ISO 3200 |
Canon 70D at ISO 3200 |
Panasonic GH4 versus Nikon D7100 at ISO 3200
Panasonic GH4 at ISO 3200 |
Nikon D7100 at ISO 3200 |
Panasonic GH4 versus Olympus E-M1 at ISO 3200
Panasonic GH4 at ISO 3200 |
Olympus E-M1 at ISO 3200 |
Panasonic GH4 versus Sony A6000 at ISO 3200
Panasonic GH4 at ISO 3200 |
Sony A6000 at ISO 3200 |
Detail: Panasonic GH4 vs. Panasonic GH3, Canon 70D, Nikon D7100, Olympus E-M1 and Sony A6000
Panasonic GH4 Review -- Print Quality
Overall, very good 24 x 36 inch prints at ISOs 100 and 200; ISO 1600 capable of a nice 13 x 19; ISO 6400 prints a good 5 x 7.
ISO 400 prints look quite good at 20 x 30 inches, with wall display prints possible up to 30 x 40 inches.
ISO 800 yields a nice 16 x 20 inch print. 20 x 30s are fine for less critical applications, but there is some minor luminance noise in the shadow areas. Colors still look accurate, and the camera still has the ability to resolve fine detail.
ISO 1600 is capable of a good 13 x 19 inch print, with 11 x 14s looking even better. Typical troublesome areas like the red swatch in our test target still looks great at this ISO.
ISO 3200 prints are good at 11 x 14 inches, with some minor grain in the shadows. Also, the red fabric swatch is starting to lose detail. Colors are beginning to be slightly muted as well, but enough saturation is preserved for good prints.
ISO 6400 produces a nice 5 x 7, with 8 x 10s being suitable for less critical applications. Noise is starting to show up more, but is still mostly concentrated in shadowy areas.
ISO 12,800 prints are acceptable at 4 x 6, although colors look slightly muted, but enough color is preserved for decent prints. Noise is quite high here, preventing us from calling any larger size acceptable.
ISO 25,600 does not print a usable 4 x 6 and is best avoided.
While the Panasonic GH4 certainly brings lots of upgrades in terms of video capabilities, it's not altogether much different from the GH3 in terms of still image quality. Housing a similar 16MP sensor, the GH4 yields high quality 24 x 36 inch prints at extended ISO 100 and base ISO 200. This quality is maintained nicely at ISO 800 with relatively large prints for its Four Thirds sensor size, and allows for good 11 x 14 prints up to ISO 3200. The default level of noise reduction does well at these relatively high ISOs to keep noise under control while maintaining a lot of fine detail. At very high ISO levels, however, prints sizes can only go so large before noise takes its toll on fine detail and color.
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