• APS-C 369.7mm2
  • 16.3 megapixels
  • ISO 100 - 12,800
  • 35mm 855.6mm2
  • 24.3 megapixels
  • ISO 100 - 25,600

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Differences

Pentax K-5 II advantages over Sony A7

  • Lens selection
    Excellent vs Good
    Better lens selection gives you more options
  • In-Camera Image Stabilization
    Yes vs No
    Reduces the effects of camera shake at slower shutter speeds
  • Fast startup
    ~0.60 vs 2.1 sec
    Faster startup lets you catch the moment
  • Longer stills battery life
    More info 740 vs 340 shots
    Capture more photos
  • More telephoto lens reach
    203 mm vs 70 mm
    Capture objects farther away with the kit lens
  • Internal flash
    Internal flash vs None
    Useful in a pinch for fill flash
  • Top deck display
    Yes vs No
    Check settings with a screen on top of the camera
  • Faster JPEG shooting
    6.7 fps vs 5.0 fps
    Faster JPEG shooting (burst mode)
  • Faster RAW shooting
    6.7 fps vs 5.0 fps
    Faster RAW shooting in burst mode

Sony A7 advantages over Pentax K-5 II

  • Focus peaking
    Peaker vs Non-peaker
    Your camera will highlight what's in focus
  • Larger sensor
    35mm vs APS-C
    More sensor area. Bigger is (generally) better.
  • Bigger pixels
    ~ 5.97 vs 4.81 microns
    Better low-light and dynamic range (all else equal)
  • In-camera panoramas
    Yes vs No
    Stitches multiple shots into a panoramic photo
  • Tiltable Screen
    Tiltable vs Fixed
    Tilt the screen for shooting flexbility
  • Built-in Wi-Fi
    Wi-Fi vs None
    Share your photos wirelessly
  • NFC
    Yes vs No
    Simplifies pairing your camera with supported phones
  • Higher effective ISO
    2,248 vs 1,235 iso
    Take photos in low light with less noise
  • On-sensor phase detect
    Yes vs No
    Usually improves live view and video AF performance
  • Thinner
    48 mm vs 73 mm
    Thinner
  • Shoots 24p video
    Yes vs No
    Gives your movies a big-screen feel
  • Lighter weight
    769g vs 1200g
    Lighter weight
  • More viewfinder magnification
    0.71x vs 0.61x
    Get a bigger view of the scene through the eye-level viewfinder
  • More pixels
    24.3 vs 16.3 megapixels
    Higher resolution photos
  • Shoots 60p video
    Yes vs No
    A faster framerate can give you more editing options
  • Headphone jack
    Yes vs No
    Monitor audio recording while you shoot video
  • Bigger JPEG buffer
    50 vs 28 shots
    Take more JPEG shots before waiting (burst mode)

Similarities

Common Strengths

  • Eye-level viewfinder
    Both provide
    You'll be able to frame photos even when the sun is out
  • External Mic Jack
    Both provide
    Improved sound fidelity when shooting video
  • HDMI out
    Both provide
    Use HDMI output to monitor or review video
  • Hot shoe
    Both provide
    Off-camera flashes open new possibilities
  • Bulb shutter
    Both provide
    Hold the shutter open manually for long exposures

Common Weaknesses

  • Tilt-swivel screen
    Neither provide
    Tilt and swivel the screen for maximum shooting flexibility
  • Touchscreen
    Neither provide
    Interact with your camera just like your smartphone
  • Built-in Bluetooth
    Neither provide
    Always-on wireless connectivity
  • Built-in GPS
    Neither provide
    Geotag your photos
  • Dual card slots
    Neither provide
    Gives you more storage flexibility
  • Slow-motion videos
    Neither provide
    Shoot slow-motion videos

User reviews

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Your purchases support this site

Buy the Pentax K-5 II

Review Excerpt

  • Compact yet control-rich body packs in the features; Updated autofocus system focuses in near-darkness; Fully weather-sealed; Sharp, detailed images with very good dynamic range; In-body image stabilization; Dual-axis level with horizon correction.

  • Can seem intimidating at first; Fewer autofocus points than competitors; Doesn't take advantage of high-speed UHS-I flash cards; Movie feature set is very dated and file sizes huge.

  • Incredibly small body for a fully-featured, full-frame camera; Very high resolution; Hybrid autofocus is reasonably fast and confident; Significantly better burst-shooting performance than A7R; Excellent image quality even at very high sensitivities; Faster x-sync than A7R; Accepts existing Alpha-mount and E-mount lenses, and can optionally crop to APS-C image circle.

  • Grass-is-greener syndrome when compared to its higher-res sibling; Moderate performance; Loud shutter (but electronic first-curtain helps); Mediocre battery life when using electronic viewfinder; Weak low-light autofocus considering its price; Limited selection of native Sony FE lenses.

The Competition

Compared to Sony A7R

Pentax K-5 II
Sony A7R
  • $699
  • APS-C
  • Lens selection
  • In-Camera Image Stabilization
  • $1399
  • 35mm
  • Focus peaking
  • Larger sensor
Sony A7
Sony A7R
  • $748
  • 35mm
  • Less expensive
  • Bigger pixels
  • $1399
  • 35mm
  • Higher effective ISO
  • More pixels

Compared to Nikon D7000

Pentax K-5 II
Nikon D7000
  • $699
  • APS-C
  • In-Camera Image Stabilization
  • More telephoto lens reach
  • $699
  • APS-C
  • Fast startup
  • Longer stills battery life
Sony A7
Nikon D7000
  • $748
  • 35mm
  • Focus peaking
  • Larger sensor
  • $699
  • APS-C
  • Lens selection
  • Fast startup

Compared to Pentax K-30

Pentax K-5 II
Pentax K-30
  • $699
  • APS-C
  • Fast startup
  • Longer stills battery life
  • $599
  • APS-C
  • Less expensive
  • Focus peaking
Sony A7
Pentax K-30
  • $748
  • 35mm
  • Larger sensor
  • Bigger pixels
  • $599
  • APS-C
  • Lens selection
  • In-Camera Image Stabilization

Compared to Canon T4i

Pentax K-5 II
Canon T4i
  • $699
  • APS-C
  • Larger sensor
  • In-Camera Image Stabilization
  • $690
  • APS-C
  • Tilt-swivel screen
  • Touchscreen
Sony A7
Canon T4i
  • $748
  • 35mm
  • Focus peaking
  • Larger sensor
  • $690
  • APS-C
  • Lens selection
  • Less expensive

Compared to Sony A7 II

Pentax K-5 II
Sony A7 II
  • $699
  • APS-C
  • Lens selection
  • Fast startup
  • $1148
  • 35mm
  • Focus peaking
  • Larger sensor
Sony A7
Sony A7 II
  • $748
  • 35mm
  • Less expensive
  • $1148
  • 35mm
  • In-Camera Image Stabilization
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