Nikon D2Xs Viewfinder
1 |
8-mm (0.31") reference circle for center-weighted metering |
15 |
"K" (appears when memory remains for over 1000 exposures) |
2 |
Focus brackets (focus areas) |
16 |
Flash-ready indicator |
Spot metering targets |
17 |
Battery indicator | |
3 |
Focus indicator |
18 |
FV lock indicator |
4 |
Metering |
19 |
Sync indicator |
5 |
Bracketing indicator |
20 |
Aperture stop indicator |
6 |
Autoexposure (AE) lock |
21 |
Electronic analog exposure display |
7 |
Black and White indicator |
22 |
Voice memo status indicator |
8 |
Shutter-speed lock icon |
23 |
White-balance bracketing indicator |
9 |
Shutter speed |
24 |
White-balance mode |
10 |
Aperture lock icon |
25 |
Image size |
11 |
Aperture (f/-number) |
26 |
Image quality |
Aperture (number of stops) |
27 |
Sensitivity (ISO) indicator | |
12
|
Exposure mode | Auto ISO sensitivity indicator | |
13 |
Exposure compensation indicator |
28 |
Sensitivity (ISO equivalency) |
14 |
Frame count | ||
Number of exposures remaining | |||
Number of shots remaining before memory buffer fills | |||
Exposure compensation value | |||
PC mode indicator |
Viewfinder
Coverage
Excellent accuracy with the optical viewfinder.
Optical Viewfinder |
The Nikon D2Xs' optical viewfinder proved very accurate, showing about 98% of the frame in the final image, essentially a "100%" viewfinder. Excellent performance here, we frankly don't understand why only the most expensive "pro" DSLRs have 100% viewfinders, they're a great help to accurate framing.
Nikon D2Xs Main LCD Display
While the 2.5-inch LCD panel on the Nikon D2Xs isn't usable as a viewfinder, it does provide a great deal of information about your pictures after you've shot them. A variety of playback options are available, ranging from a 9-image thumbnail display, through several full-sized image modes, to a zoomed playback option with variable magnification. The screen shot at right shows several of the information displays that are available.
A histogram display is very helpful in telling whether you've got the exposure right, but to my mind isn't adequate by itself. With digital cameras, it's very important not to blow-out the highlights in a picture (they're similar to slide film in that respect), since once you hit the maximum brightness, the image just saturates, and any highlight detail will be lost. A histogram display does a pretty good job of telling you how the image as a whole is doing, but what if there are just a few critical areas that you're worried about for the highlights? If only a small percentage of the total frame is involved, it won't account for many pixels. That means any peak at the "white" end of the histogram graph would be pretty small, and easy to miss (or just plain invisible). What to do? The folks at Nikon recognized this problem, and provided another special display mode on the D2Xs that they simply call "highlights," accessible via the Playback settings menu, under "Display Mode." This mode blinks any highlights that are saturated in any of the color channels. It does this by taking the nearly-white areas on the LCD and toggling them between white and black.
Luminance | Red |
Green | Blue |
Nikon took the blinking highlights display one big step further in the D2Xs though, by letting you examine the state of highlights in the individual Red, Green, and Blue color channels independently. Along the bottom of the Highlights display on the D2Xs are four indicators labeled RGB, R, G, and B. You can select between them with the left/right arrows on the Multi Controller, while holding down the Index button on the left side of the LCD display. When RGB is selected, the blinking highlights correspond to areas of the image that are approaching saturation in two or more color channels at once. When either R, G, or B is selected though, the highlights only blink where the corresponding color channel is blown out. This is an important addition, because highly saturated colors can often blow out a single color channel without triggering a conventional luminance-only highlight warning display. Saturating a single color channel results in loss of shape and detail in brightly colored objects, so it's important to know when it might be happening. (I've often seen this happen on brightly colored fabrics, where the texture of the fabric can be lost in brightly lit areas.) The group of screen shots above shows the behavior of the separate color channels on an overexposed shot of three colored pens. Pretty slick!
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